即刻觀影
劇情賞析
編輯推薦
血屋之謎
莎菲拉是一名冉冉升起的新秀主持人，她有機(jī)會(huì)主持《Percaya Ngga Percaya》的重拍版。在研究舊錄像時(shí)，她發(fā)現(xiàn)了一盤(pán)未播出的錄像帶，上面寫(xiě)著“Rumah Darah”，這導(dǎo)致令人不安的超自然事件威脅到她的生命。在調(diào)查 Rumah Darah 背后的秘密時(shí)，她發(fā)現(xiàn)了過(guò)去的黑暗秘密，這些秘密使她的靈魂處于危險(xiǎn)之中。
羅伯特玩偶的復(fù)仇
Lee Bane,Harriet Rees,Judith Haley在納粹德國(guó)，玩具制造商擁有一本神秘的書(shū)籍，賦予無(wú)生命的生命。在躲過(guò)希特勒命令取回書(shū)的黨衛(wèi)軍之后，這位玩具商登上了一列火車(chē)企圖逃離該國(guó)。認(rèn)為他很清楚，玩具制造商很快就發(fā)現(xiàn)，一批高級(jí)納粹軍官也加入進(jìn)來(lái)。最終，他的秘密被揭露出來(lái)，納粹關(guān)閉。但是，玩具制造商已經(jīng)使用這個(gè)神奇的東西來(lái)帶來(lái)一個(gè)名叫羅伯特的復(fù)古娃娃來(lái)生活 - 而羅伯特將毫無(wú)阻礙地保護(hù)他的主人。所以，當(dāng)玩具制造商和殺手娃娃拿起納粹時(shí)，就開(kāi)始了一場(chǎng)血腥的戰(zhàn)斗。這是對(duì)死亡的一場(chǎng)戰(zhàn)斗，只有勝利者才會(huì)在下一站下車(chē)。
擂臺(tái)兄弟
阿俊·阿肖坎,羅尚·馬修,維沙克·奈爾 ,Ishan Shoukath,Carmen S Mathew,Siddique,Syamaprakash M.S.,Thezni Khan,拉克施米·麥儂,Mammolotti在科欽堡，一群不合群者聯(lián)合起來(lái)創(chuàng)建了一個(gè)摔跤團(tuán)體，他們面臨內(nèi)部競(jìng)爭(zhēng)和滑稽的打斗，并隨著成長(zhǎng)去應(yīng)對(duì)更大的障礙。
食夢(mèng)者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿時(shí),山田孝之,宮藤官九郎,中川雅也,染谷將太擅長(zhǎng)畫(huà)畫(huà)的高中生真城最高（佐藤健 飾）有一天被頭腦靈光的同學(xué)高木秋人（神木隆之介 飾）纏上。對(duì)方自稱(chēng)超級(jí)喜歡漫畫(huà)，可卻沒(méi)有繪畫(huà)才能，秋人希望和最高搭檔進(jìn)軍漫畫(huà)界。最高的叔叔川口太郎（宮藤官九郎 飾）曾是小有名氣的漫畫(huà)家，但因過(guò)勞和連載被砍最終英年早逝，這讓青年深知這一行的殘酷性。經(jīng)不住秋人的慫恿，最高終于就范。兩人選擇自薦的方式將目標(biāo)鎖定在集英社旗下的殿堂級(jí)周刊《JUMP》上，并初步得到了編輯服部哲（山田孝之 飾）的認(rèn)可。與此同時(shí)，天才高中生新妻英二（染谷將太 飾）橫空出世，促使兩個(gè)人不顧一切地要與之一較高低。不知不覺(jué)中，他們已經(jīng)踏入了這個(gè)瑰麗精彩卻又殘酷萬(wàn)分的漫畫(huà)世界…… 本片根據(jù)創(chuàng)作了超人氣漫畫(huà)《死亡筆記》的大場(chǎng)鶇（原作）、小畑健（作畫(huà)）的同名漫畫(huà)改編。
怪形
庫(kù)爾特·拉塞爾,威爾福德·布利姆雷,TK·卡特,大衛(wèi)·科列儂,凱斯·大衛(wèi),理查德·戴薩特,查爾斯·哈拉漢,Peter Maloney,理查德·馬蘇爾,唐納德·莫法特,喬爾·波利斯,托馬斯沃特斯,諾伯特·魏塞爾,拉瑞·弗蘭科,納特·歐文,阿德里安娜·巴比歐,約翰·卡朋特,杰德1982年冬天，挪威科考隊(duì)的一架直升機(jī)突然打破了南極大陸的平靜，直升機(jī)瘋狂的追逐一只雪橇犬，最后墜毀在美國(guó)科考營(yíng)地的附近。美國(guó)科考隊(duì)員對(duì)挪威考察隊(duì)近期人員驟減的情況有所耳聞，于是飛行員麥克（Kurt Russell 飾）與眾人趕赴挪威營(yíng)地，結(jié)果看到的是一地破敗中四處散落著奇怪的尸體，并有證據(jù)表明挪威人得到了某種冰封狀態(tài)中的生物。醫(yī)生布萊爾（Wilford Brimley 飾）研究了尸體的變異卻無(wú)法破解成因。當(dāng)晚，犬籠中的狗遭到襲擊并發(fā)生了變異，一種不可知的生物正在這孤寂的南極大陸威脅著科考隊(duì)員們的生命…… 本片翻拍自1951年由霍華德?霍克斯指導(dǎo)的《The Thing From Another World》。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.