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遭到公司開除的小濱決定趁此機(jī)會好好享受人生,與好友前往菲律賓旅行...
遭到公司開除的小濱決定趁此機(jī)會好好享受人生,與好友前往菲律賓旅行...
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
故事發(fā)生在遙遠(yuǎn)的2078年,礦業(yè)組織NEB在天狼星6B行星上發(fā)現(xiàn)了名為“Berynium”的元素,該元素蘊(yùn)含著巨大的能量,可以用來充當(dāng)能源使用。組織派遣了一批礦工前往行星進(jìn)行能源開采,然而工人們很快就發(fā)現(xiàn),Berynium擁有強(qiáng)烈的放射性,根本不適合使用。雖然礦工們強(qiáng)烈要求停止任務(wù),但組織卻不為所動,無奈之下,礦工們自發(fā)的組成了“聯(lián)盟”,和組織之間開始漫長的對抗。為了抵擋組織的猛烈攻擊,聯(lián)盟研制出了小型機(jī)器人“Screamer”,它擁有敏捷的身手和強(qiáng)大的攻擊力,給敵方造成了巨大的傷害。然而,聯(lián)盟并不知道的是,在不知不覺間,機(jī)器人們已經(jīng)進(jìn)化出了自我意識,想要成為這顆星球上的主宰者。
灰度律師李淇(檀健次飾)因出身于聾人家庭,被卷入一場聾人反詐案中。當(dāng)他利用案件名利雙收之時,卻未曾想詐騙案遠(yuǎn)比想象的復(fù)雜。這一次,在欲望和良知的抉擇中,他會如何破局? 本片部分取材自CODA律師張琪真實(shí)從業(yè)經(jīng)歷。
影片生動展現(xiàn)了墨西哥傳奇女畫家弗里達(dá)·卡羅的童年生活。好奇心旺盛的弗里達(dá)整天和妹妹玩耍,和鄰居家的狗做朋友,爬樹,在小鎮(zhèn)上奔跑,當(dāng)她擁有人生中的第一本筆記本,就迫不及待的上面涂滿色彩斑斕的圖畫和想法。小兒麻痹癥讓她臥床不起,但小弗里達(dá)毫不退縮,一旦康復(fù),她就會重返街頭,展現(xiàn)她旺盛的生命力。