古惑仔之Fing頭妹

5.4 播放:45萬 更新:2026-04-28

Flora及其好友在女童院期滿出院,經劉Sir勸服重返校圓,但仍不改其反叛個性。欺騙其母聲稱往補習,往往深夜才回家。放學后,即更衣往開Party,吃喝玩樂,撩是斗非。一次,閑逛到名店,見貨品極其昂貴,還被店員白眼。眾人于是發奮圖強,找銀去,年輕人少不更事,到Karaoke做待應,但被安排在貨車上接客,但被「放蛇」捉返差館……故事極具教育意義!

即刻觀影

劇情賞析

Flora及其好友在女童院期滿出院,經劉Sir勸服重返校圓,但仍不改其反叛個性。欺騙其母聲稱往補習,往往深夜才回家。放學后,即更衣往開Party,吃喝玩樂,撩是斗非。一次,閑逛到名店,見貨品極其昂貴,還被店員白眼。眾人于是發奮圖強,找銀去,年輕人少不更事,到Karaoke做待應,但被安排在貨車上接客,但被「放蛇」捉返差館……故事極具教育意義!

編輯推薦

養鬼吃人10:審判

希瑟·蘭根坎普 , 蘭迪·韋恩 , 約翰·古拉格 , 凱特·瓊斯 , Rheagan Wallace , 亞歷山德拉·哈里斯 , Paul T. Taylor , Mike J. Regan , Molly Nikki Anderson , Damon Carney , Helena Grace Donald , Mary Kathryn Bryant , Jay Dee , Grace Montie , Trey Walpole

  影片講述3名警探在調查一起謀殺案時,卻已悄悄落入釘子人的陷阱...       新任“釘子頭”由《罪惡之城》男星保羅·T·泰勒飾演,影片將于2017年在美國上映。 據外媒報道,《猛鬼追魂》第10部影片《猛鬼追魂:審判》(Hellraiser:Judgment)首度曝光了造型照,令人聞風喪膽的“釘子頭”現身,由《罪惡之城》男星保羅·T·泰勒飾演。 道 格·布拉德利 《猛鬼追魂》是最著名的系列恐怖電影之一,除驚人的血腥場景外,更借助肉體的痛苦達到靈魂的救贖,追求一種由魔入道的境界。…

切勿擅動

唐·錢德爾,本尼西奧·德爾·托羅,馬特·達蒙,大衛·哈伯,布蘭登·費舍,諾亞·尤佩,茱莉婭·福克斯,基南·卡爾金,克雷格·穆姆斯·格蘭特,艾米·西米茨,弗蘭西斯·肖,喬恩·哈姆,Tina Gloss,雷·利奧塔,拜倫·鮑爾斯,比爾·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin

  一群犯罪分子在神秘的環境下被聚集在一起,當他們簡單的工作完全出現偏差時,他們不得不一起努力去揭開到底發生了什么。

跟我○○○就能紅

青山泰菜,竹田光稀,円谷優希,十代修介,富樫未來,佐藤仁,森岡里世,大地洋輔,八木將康,川瀨陽太

地方から上京してマンガ家を目指すヒロインが戀に仕事に奮闘する本作。原作は実體験をもとにした香穂のマンガ「俺とSEXすれば売れる」だ。エロい中年マンガ家や若いアシスタントに次々と手を出す中堅マンガ家など、危うい先輩たちに囲まれながら向上心を保ち邁進していく主人公?香穂をミスFLASH2022 セミファイナリストの青山泰菜が演じた。

鱷魚變

貝弗利·加蘭,布魯斯·班尼特,小朗·錢尼,喬治·麥克雷迪

  一個女孩在被催眠下,講出了她身世的秘密,原來她的丈夫在結婚當晚神秘消失,她多方尋找最后發現了丈夫身上的秘密,而她的丈夫竟變成了...

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

運鈔大劫案

吳樾,包貝爾,伍允龍,元彪,安志杰

  影片講述了一場震驚全國的特大運鈔車搶劫案發生后,嫌疑人小寶在無現場犯罪證明情況下金蟬脫殼,然而犯罪的種子已然在心中生根發芽,伴隨著時間野蠻生長,終將在警方的明察秋毫中爆裂迸發……