死了都要操

? 7.4 播放：25萬 2026-04-26

別名：The Dead Want Women，開始的時尚大廈在1920年的咆哮，一個無聲電影女星交際花，時髦女郎，男人愛他們的人來到他們的最終滅亡。這些幽靈繼續(xù)困擾著整個十年的豪宅。現(xiàn)在，他們已經(jīng)回來困擾和追逐之后的新一代美麗的女孩。死海希望女人！ 　　

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劇情提要

別名：The Dead Want Women，開始的時尚大廈在1920年的咆哮，一個無聲電影女星交際花，時髦女郎，男人愛他們的人來到他們的最終滅亡。這些幽靈繼續(xù)困擾著整個十年的豪宅。現(xiàn)在，他們已經(jīng)回來困擾和追逐之后的新一代美麗的女孩。死海希望女人！ 　　

幕后花絮

15點17分，啟程巴黎

　　影片源自真實事件，講述2015年8月一列從阿姆斯特丹開往巴黎的高速列車上發(fā)生了恐怖襲擊事件，三位美國士兵挺身而出將歹徒制服的故事，電影將根據(jù)三位當事人的回憶錄改編。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.