七擒七縱七色魔
七十年代,曾經叱咤一時,風靡萬千少女,有;情圣;外號,而無情圣之型的譚冠希,事業因年齡漸大而走下坡。但到處留情、不負責任的性格,卻絲毫未改,同時擁有三個當空姐的女友,冷落了一直暗戀著他,對他不離不棄的女經理人小云。 冠希已無人找他拍戲,但當年的勁敵Rocky卻紅透半邊天,到處打壓冠希,令他全無收入。小云只好利用他;情圣 的外號,為他招收了五個情場敗將:杜理文,東尼仔,肥龍,段背山和色魔強,以高昂收費教他們追求女子,還跟五人立下合約,凡屋內任何女性,他們都可以追求。 不料,來了一個性感迷人的女孩,她的名字叫寶珠。原來二十多年前,冠希心中最愛的女人離開他去了澳洲,那時已懷著冠希的骨肉──寶珠。 在廿二年后的今天,寶珠懷著好奇心和母親的信回到香港尋找父親。 寶珠自幼在澳洲長大,作風開放大膽,穿著甚為性感,故難免成為五名戇男的獵物。不過,當冠希得悉寶珠是他的女兒后,由教五人追求美女,變為不斷出怪招,阻止五男親近寳珠。 此時,片商肥佬林與導演真姐要求冠希復出,再次與Rocky合作拍戲。冠希答應接拍此片,并在片場把Rocky戲弄一番!
即刻觀影
劇情賞析
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阿姆斯特丹
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人面獸心2024
基特·哈靈頓,阿什莉·卡明斯,詹姆斯·科茲莫,凱奧林·斯普林加爾,亞當·巴茲爾Check out the trailer for The Beast Within, an upcoming movie starring Kit Harington, Ashleigh Cummings, James Cosmo, and Caoilinn Springall. After a series of strange events leads her to question her family’s isolated life on a fortified compound deep in the English wilds, 10-year-old Willow follows her parents on one of their secret late-night treks to the heart of the ancient forest. But upon witnessing her father undergo a terrible transformation, she too becomes ensnared by the dark ancestral secret they’ve tried so desperately to conceal. The Beast Within is produced by Merlin Merton, Martin Owen, Ryan Hamilton, Karl Hall, Sebastian Street, Alex Chang, Jack Christian, Evan Ross, Jordan Wagner, and Ying Ye. It is written by Greer Taylor Ellison and Alexander J. Farrell. The Beast Within, directed by Alexander J. Farrell, opens in theaters nationwide on July 26, 2024.
監控錄像
Akaranitimetharat《幽靈人間》:一幢豪華的別墅內,年邁的主人坤桑遇刺身亡。他曾留下遺囑,將房子留給一對連體的雙胞胎姐妹花。但是條件只有一個,姐妹倆必須為祖父首領三天。守靈之夜,怪事頻發,鬼影幢幢,殺機四伏;《第11層天堂》:在名為“Heaven 11”的超市內,開業不到兩個月內,接連4名店員自殺身亡。從收銀臺前的監視器內,可以清楚看到自殺收銀員的身影。所見之人,不寒而栗,死亡詛咒仍在繼續,純情的收銀女孩步入死局;《第八層地獄》 :命運凄慘的女孩在大廈電梯間被粗暴蠻橫的負心漢殘忍殺害。美人香銷玉殞,但冤魂久久不散。電梯間內,血腥的一幕重復上演,輪回不止……
這么遠那么近
樸浩山,宋再臨,高恩敏一位外向、人緣好的酒吧老板,雖然平日喜歡與人群為伍,內心深處卻一直隱藏著對十年前逝去戀人的細膩思念。每當他遇見容貌神似她的女子,總是不自覺地駐足凝望,深陷于回憶的漩渦中。
布偶秀50周年特別節目
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster