夏日時光

★ 2.1 播放：53萬 更新：2026-04-28

一個不知生父母為何人的年青人回到出生的小鎮探尋自己身世，于是從往昔鄰居婦人的口中得知了一段塵封已久的故事：獨居二樓的小伙子透過破舊地板上的小洞偷窺到樓下一位美麗性感的少婦經常獨守空房，而她作保安的丈夫偶爾回家，也只是把她當作泄欲工具。一天，小伙子無意揀到樓下房門的鑰匙，于是他便趁夜潛入少婦房中，模仿她的丈夫與她發生關系。有了第一次后，小伙子不能按捺自己的沖動，又一次偷偷溜到樓下，然而這一次卻被少婦發現，但是少婦被小伙子的真情打動，兩個人自此便開始經常幽會。最終，他們的奸情被當保安的丈夫察覺，一天夜里當他們

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劇情簡介

一個不知生父母為何人的年青人回到出生的小鎮探尋自己身世，于是從往昔鄰居婦人的口中得知了一段塵封已久的故事：獨居二樓的小伙子透過破舊地板上的小洞偷窺到樓下一位美麗性感的少婦經常獨守空房，而她作保安的丈夫偶爾回家，也只是把她當作泄欲工具。一天，小伙子無意揀到樓下房門的鑰匙，于是他便趁夜潛入少婦房中，模仿她的丈夫與她發生關系。有了第一次后，小伙子不能按捺自己的沖動，又一次偷偷溜到樓下，然而這一次卻被少婦發現，但是少婦被小伙子的真情打動，兩個人自此便開始經常幽會。最終，他們的奸情被當保安的丈夫察覺，一天夜里當他們

導演精選

安身何處

　　Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.

刺透

　　該片故事講述一名變態殺手（克里斯托弗·阿波特 飾）計劃在酒店招妓（米婭·華希科沃斯卡 飾），并將其謀殺。然而他計劃卻失敗了。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster