當你不再珍惜我
Jae 玄是要返回到大學后軍事服務和通過輛賣烤紅薯。一天一個固定的客戶和應召女郎惠里問他要宰賢，是對她感興趣和朋友說是。一天晚上他看到她被毆打的皮條客丈夫和宰賢急于幫助她。他們靠近，從這點上和在一起了一夜情。然而，她很受傷第二天，當她看到這筆錢他留給她，永遠不會再看他。 時間流逝和宰賢在一家保險公司，枯燥的生活，當她再一次出現時獲取了一份工作。像他們遇見命運和開始生活在一起，他們墜入了愛河。宰賢用盡支持惠 ri 突然想要成為一位女演員和他們的關系開始破裂。使事情更糟，她就辭職晚所以丈夫皮條客是到處找她，宰賢給壓力......
即刻觀影
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身體集合.zip
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
迷失禁區
陳明民,梁鴻,王新宇,金晨曦...
惡夢偵相
Yalitza AparicioFollows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
剩餐
卡洛斯·卡瓦略,勞拉·讓·馬什,Sumit Chakravarti,Eleonora Cucciarelli,Alvaro Flores,Shun Yin是一部關于卡洛斯的藝術之家故事片，他是一位住在倫敦的受折磨的藝術家。卡洛斯遇到維羅妮卡，一個另一個世世的女人時，對生活的看法發生了變化。