即刻觀影
劇情賞析
編輯推薦
鬧鬼校園
中山優(yōu)馬,島崎遙香,大野拓朗,高橋瑪莉潤,安井謙太郎,大和田伸也自幼能夠看到恐怖幽靈的八神森司（中山優(yōu)馬 飾），在高中時邂逅了被神秘鬼影糾纏的后輩小歷（島崎遙香 飾）。他雖然喜歡對方，卻由于自身膽怯的性格始終無法表白。第一年沒有考上大學(xué)，經(jīng)過一番努力森司如愿進(jìn)入期望的高校，并且和小歷重逢。在此期間，他聽說小歷和童年好友加入了某個超自然研究會，聯(lián)想到高中的事件，森司無法對小歷放任不管，于是也硬著頭皮加入進(jìn)去。這群個性滿滿的年輕人每天追蹤各類神秘事件，不久后校園內(nèi)開始出現(xiàn)離奇現(xiàn)象，而小歷也成為惡靈狙擊的目標(biāo)…… 本片根據(jù)第19屆日本恐怖小說大獎讀者獎獲得者櫛木理宇的同名作品改編。
我的同桌是極品2
赫子銘,苑喬,阿仁一次偶然的事件讓同為死對頭的極品同桌男女互換了身體與性別，二人為了恢復(fù)正常做出了瘋狂舉動，經(jīng)歷了種種令人啼笑皆非的荒唐事情。無果之后，二人將計就計，利用對方的身體互相追求自己喜歡的人，歷經(jīng)艱辛終于討得心上人歡喜。大功告成之時，不料災(zāi)難悄然降臨，二人即將面臨時間的清理，急速衰老，禍不單行，王元鵝的母親因為自己的任性而失去生命，大喜大悲之下，二人悟出了青春的含義還有親情的可貴，無奈時日不多，臨死之前，二人一一完成自己的遺愿，開演唱會、做學(xué)霸、挑戰(zhàn)黑社會，可是等到最后一天死神到來之時，王元鵝才發(fā)現(xiàn)，一切原來是......
我們很危險
埃拉娜·詹姆斯,瑞瑪·特·維塔,Nathalie Morris西南偏南電影節(jié)劇情片競賽。 Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.
養(yǎng)鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz《倫敦地下城市》一個女記者被派遣到羅馬尼亞首都布加勒斯特調(diào)查一個地下自殺邪教“死魂靈”。她很快就陷入了他們的黑暗世界，無法找到回頭路，從而被迫加入他們，迎接一項極為恐怖的事情... ...
蒙上你的眼：逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms《蒙上你的眼：逃出巴塞羅那》由《蒙上你的眼》的制作人傾情打造，是 2018 年備受觀眾青睞的熱門電影的衍生作品。在一股神秘力量使世界人口大量減少之后，塞巴斯蒂安必須在巴塞羅那荒涼的街道上展開自己的求生之旅。當(dāng)他與其他幸存者結(jié)成不穩(wěn)定的聯(lián)盟，并試圖逃離這座城市時，一個意想不到、甚至更加險惡的威脅正在增長。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.