小妓女法外之徒

殺手算命師

　　在一位塔羅牌占卜師預言了一次偶遇后，肖恩開始相信命運，并為他的愛情生活和事業(yè)尋求進一步的建議。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

誤入魔爪

　　四名青少年在一次公路旅行中決定繞道而行，發(fā)現(xiàn)自己在肯塔基南部森林深處的鬼屋“萬圣節(jié)尖叫公園”。在目睹了各種各樣的折磨和gore之后，他們開始懷疑自己經(jīng)歷的事情是否有點太現(xiàn)實了。在他們知道之前，他們中的每一個人都被俘虜了，并成為他們原本認為可怕的樂趣和游戲的一部分…

AUNTY當網(wǎng)紅

楊非與高俐

高俐醉酒被強哥等人綁架索贖金一億，楊非因父需百萬手術費趕路時車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術費，二人相戀。