追你一世

★ 9.2 播放：95萬 更新：2026-04-28

雪娘與嫣紅是陰間的鬼魂, 兩鬼卻利用鬼門關(guān)開啟之日, 結(jié)伴同游陽間, 雪娘因而愛上周浩, 并化名阿麗邂逅, 周浩亦因失戀而接受了阿麗的感情, 譜大人鬼戀.舒萍與周浩分手后, 因前次和周浩在水中ML時(shí)未服避孕-, 不慎懷有周浩的身孕, 才回頭想和周浩重修舊好, 舒萍此時(shí)得知周浩已另結(jié)新歡而感到沮喪, 好友李蕓不忍見舒萍痛苦, 請來法師作法, 欲讓阿麗主動(dòng)離開周浩. 法師作法后, 阿麗現(xiàn)形, 周浩才知道阿麗是女鬼, 法師想捉拿女鬼, 阿麗害怕逃回陰間, 於是周浩不捨阿麗離去, 而隨同阿麗消失　

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劇情簡介

雪娘與嫣紅是陰間的鬼魂, 兩鬼卻利用鬼門關(guān)開啟之日, 結(jié)伴同游陽間, 雪娘因而愛上周浩, 并化名阿麗邂逅, 周浩亦因失戀而接受了阿麗的感情, 譜大人鬼戀.舒萍與周浩分手后, 因前次和周浩在水中ML時(shí)未服避孕-, 不慎懷有周浩的身孕, 才回頭想和周浩重修舊好, 舒萍此時(shí)得知周浩已另結(jié)新歡而感到沮喪, 好友李蕓不忍見舒萍痛苦, 請來法師作法, 欲讓阿麗主動(dòng)離開周浩. 法師作法后, 阿麗現(xiàn)形, 周浩才知道阿麗是女鬼, 法師想捉拿女鬼, 阿麗害怕逃回陰間, 於是周浩不捨阿麗離去, 而隨同阿麗消失　

導(dǎo)演精選

月球奇幻旅

　　肖恩·利維將再次合作老搭檔二十世紀(jì)福斯，執(zhí)導(dǎo)新片[隕石坑](Crater，暫譯)，利維也將約翰·J·格里芬執(zhí)筆的原創(chuàng)劇本進(jìn)行改編。故事被描述為科幻版的[ 伴我同行 ]，講述在月球殖民地長大的男孩，和三個(gè)小伙伴共同前往一處神秘隕石坑探秘，不料卻發(fā)生意外。影片劇本曾經(jīng)入選2015年“好萊塢劇本黑名單”。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

魂游1871

　　美國爆發(fā)xb疫情,科學(xué)家束手無策,歷史上曾有人治愈過該病,無奈資料被毀,科學(xué)家們只得使用時(shí)間機(jī)器回到過去尋找,不料卻遇到了1871芝加哥大火災(zāi)。。一部傷感的經(jīng)典科幻片，正大劇場好像播出過