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伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp JohnsonX誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊木匠之子
尼古拉斯·凱奇,諾亞·尤佩,小枝女孩,伊斯拉·約翰斯頓,索海拉·雅各布,Penelope Markopoulou,Orestis Paliadelis,埃莉娜·托帕麗朵,馬諾利斯·馬諾里斯,Thekla Gaiti,Kaiti Manolidaki,Dimitris Louskos,Stavros Kottas,Zisis Papaioannou,Michalis Ioannou,Viktor Hristov,Odisseas Zikas,Gary Salomon,Lee Papadakis,Harila魔鬼蜘蛛男
藤田進,岡譲司,舟橋元,松下猛夫,風間繁美,八島恵子,宮城千賀子阿爸請你嘛嘛吼
邱凱偉,嚴正嵐,陳峻廷,張哲偉,潘慧如,賴銘偉沖動2023
瑪麗亞·露可安諾娃,杰拉·奇塔瓦,Daro Akimidze,Koba Akimidze,Aleksandr Cherednik,Christina Chernyavskaya,Anna Grigoryeva,Ivan Ivashov,Dmitry Khalileyev,Issa Khasatsov,斯塔亞·科莫里基-格蘭科夫斯卡亞,Dmitry Khromyh,Islam Kurukov,克塞妮婭·庫捷波娃,Albert Misirov,Anna Mustina,Nikolay Orlovskiy,卡里同類精選
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安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel喜劇演員艾維·辛格（伍迪·艾倫 Woody Allen 飾）是這樣一個人：非常介意自己的猶太人的出身；自認為有童年陰影，看了十六年心理醫生沒見好轉卻一直付錢看；有點阿Q精神，但對人生卻充滿消極；喜歡一直講無聊的笑話。正因為自身的神經質特質，艾維經歷了兩次失敗的婚姻。艾維 遇到了安妮（黛安·基頓 Diane Keaton 飾）――一直夢想成為歌星的女孩，兩人漸漸墮入愛河。安妮在艾維的幫助下歌唱技巧迅速提高，但她的父母卻反對她與艾維來往。安妮得到了唱片商托尼的注意，獲邀前往好萊塢灌錄唱片，艾維跟著前往了好萊塢向安妮求婚。
機動戰士高達閃光的哈薩維
小野賢章,上田麗奈,諏訪部順一,齊藤壯馬,津田健次郎,石川由依,落合福嗣,武內駿輔,早見沙織,松岡美里,澤城千春,宮崎游,天崎滉平,綿貫龍之介,田中光,草野峻平,種崎敦美,新祐樹,綾見有紀,鷲見昂大,尼古拉·法萊那澤,越后屋浩介,藤高智大,Volcano太田,川口啟史,田村千惠,井川秀榮,吉富英治,木曾寬子,佐佐木祐介,吉田健司,高橋雛子,高橋大輔,瀧村直樹,福西勝也,佐伯美由紀,本多新也,木野日菜,內田紳一郎,櫻岡敦子,地藏堂武大,川上洋平,磯部寬之,白井真輝,ASHLEY,JAMES,SAYAKA,山本作以哈薩維為主角，采取三部曲的形式，講述“逆襲的夏亞”之后的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
宿命，吾愛：第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達,Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc阿明的暑假結束了。這位年輕的攝影師與他的casanova堂兄的前女友夏洛特度過了舒適的夜晚。她和他談論文學，他給她拍照。在阿明與這些女性的相遇和他對電影的夢想之間，他有很多選擇。