新蕩女花妮

評分：5.5 播放：36萬 更新：2026-04-28

愉快地從事她的未婚夫英俊，查爾斯，范妮很快擊中了一個又一個的不幸，直到她被迫成為妓女的生存。這是她的奮斗收復她在她自己的驕傲和再次找到人生幸福的故事，有許多色情旁白。 　　

影片推薦

同類精選

影視排行

巴黎廚房

迪米特里·納佐羅夫,葉蓮娜·波德卡明斯卡婭,德米特里·納吉耶夫,馬克·博加泰爾夫,文森特·佩雷斯

　　時尚的餐廳大都市“莫奈”紅紅火火。正是在這里，維克和馬克西姆要慶祝期待已久的婚禮。但計劃有變，當餐廳是規定會談俄羅斯和法國的總統！餐廳隊慘敗，被迫進入“流亡” - 在巴黎舉行。有廚師用馬克斯面臨危險的競爭對手：廚師 - 與近親，和馬克西姆 - 與一個英俊的尼古拉斯，誰轉過頭比維克起泡酒香檳更好！而這還不是他的“全城熱戀”中的所有挑戰，你應該試著挽回面子，喂總統和克服障礙萬元點菜法國文化……

巨獸格果

比爾·特拉弗斯,威廉姆·西爾維斯特,文森特·溫特,Christopher Rhodes,約瑟夫·奧康納,布魯斯·西頓,馬丁·本森,莫里斯·考夫曼,瓦西里·迪格納穆

　　50年代，美國拍了《原子怪獸》，日本拍了《哥斯拉》，50年代末期英國又趁熱打鐵拍了《海底巨獸》。1961年又和米高梅合拍了《巨獸格果》。　　《巨獸格果》不像其他怪獸電影那樣，怪獸開頭都是神龍見首不見尾，最后城市大戰時露個全身。本片中怪獸破壞的鏡頭完完全全的展現在觀眾面前，拆了倫敦塔橋，還推到了大本鐘。最后全憑兩雙大腳一路踩爆房屋，磚瓦四濺，相當過癮。本片講述了人類抓到了一只可愛的小怪獸——格果，然后把它關進馬戲團里，哪知道后來把怪獸老娘惹來了…

情報2025

許成泰,趙福來

　　Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.