第二處女 セカンドバージン (2011)
人到中年、有著一段失敗婚姻的某出版社高級主管中村琉依（鈴木京香 飾），與年輕有為、熱忱干練的金融界新秀鈴木行（長谷川博己 飾），兩個(gè)原本沒有任何交集的人因一次酒會而相識，更因一本具有遠(yuǎn)見卓識的金融策劃書而成為一段戀人。鈴木一躍成為炙手可熱的金融王子，中村也憑借出版鈴木的新書而大賺特賺。可是他們進(jìn)行的卻是一段不倫之戀，鈴木已和名門千金萬理江（深田恭子 飾）結(jié)為夫婦，這對相差17歲的戀人不惜賭上各自的人生和事業(yè)。 在走到一起后的不久，鈴木從中村的生活中消失。5年后，中村在馬來西亞的街頭意外重逢中村，而對方不久便遭遇了致命的槍擊……
即刻觀影
劇情賞析
編輯推薦
科洛弗悖論
古古·姆巴塔-勞,大衛(wèi)·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格未來，人們對資源的需求越來越大，可是地球上的資源已經(jīng)不能再滿足人類。于是地球上爆發(fā)了資源危機(jī)，并險(xiǎn)些引發(fā)戰(zhàn)爭。唯一能阻止戰(zhàn)爭的只有空間站上的粒子加速器，如果實(shí)驗(yàn)成功，粒子加速器成功運(yùn)轉(zhuǎn)，那么它就能讓人們用上源源不斷的資源。可是在一次粒子加速器意外事件后，地球整個(gè)消失了，空間站上的宇航員開始試圖弄清楚在他們身上發(fā)生了什么。但隨著事情的一點(diǎn)點(diǎn)深入，真相慢慢浮現(xiàn)，更奇怪的事情也隨之出現(xiàn)。
合唱團(tuán)2025
拉爾夫·費(fèi)因斯,羅杰·阿拉姆,西蒙·拉塞爾·比爾,阿瑪拉·奧凱雷克,托馬斯·豪斯,艾米莉·費(fèi)爾恩,雅各布·杜德曼,Taylor Uttley,內(nèi)森·霍爾,魯本·班布里奇,Ellie Sager1916年，第一次世界大戰(zhàn)在西線激烈進(jìn)行，約克郡拉姆斯登的合唱協(xié)會失去了大部分男性成員，他們都應(yīng)征入伍了。雄心勃勃的委員會決心繼續(xù)前行，決定招募本地的年輕男性來填補(bǔ)隊(duì)伍空缺。同時(shí)，他們還必須聘請一位新的合唱指揮，最有希望的人選是亨利·格思里博士（拉爾夫·費(fèi)因斯 飾）——一個(gè)意志堅(jiān)定、毫不妥協(xié)、剛從德國音樂生涯歸來的男人。隨著征兵通知陸續(xù)送達(dá)，全社區(qū)的人逐漸意識到，在戰(zhàn)爭摧毀一切的混亂中，最有力的回應(yīng)就是：一起奏響音樂。
莎拉的筆記本
貝倫·魯埃達(dá),馬諾洛·卡多納,Florin Opritescu,恩里克·洛維索,瑪麗安·阿爾瓦雷斯,伊萬·門德斯勞拉，來自馬德里的西班牙律師，為尋找她失蹤的妹妹薩拉，深入剛果叢林的鈳鉭鐵礦產(chǎn)區(qū)，營救妹妹
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
死亡回放
海莉·畢曉普,阿默·查達(dá)·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普在遭遇一場致命的入室犯罪時(shí)，這名瑜伽老師的一生在眼前閃現(xiàn)，她因此拼命穿越回過去，拯救深愛的男子。
記憶裂痕：血親幻影
里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring國際知名微縮畫家Alif遭遇嚴(yán)重車禍后失憶，一名老婦人突然現(xiàn)身，自稱是他失散18年的母親。Alif在拼湊破碎記憶的過程中，逐漸發(fā)現(xiàn)母親的身份疑點(diǎn)重重，同時(shí)揭開了自己童年、家族與馬林?昆當(dāng)傳說背后的黑暗真相。他必須在身份崩塌與創(chuàng)傷反噬中，直面自己的過去，終結(jié)這場由傳說編織的懸疑迷局。