萬歲德國性派對
迷人的麗塔在羅伊特林根,德國的x愛派對開始了;自由ml的宗旨,實施;更有道德的自由。 而尋找新成員,他們會很快和教導公民暗示的姿勢,它是由一個過分熱心的警察誰愿意收刑警隊辦公室觀察。此外,記者克勞斯連接到他們的腳跟推出一個聳人聽聞的故事與小胖黨閨蜜麗塔。
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長短腳之戀
周潤發,王祖賢,利智,王青,黃霑,鄭孟霞,羅明珠,黃一飛寬恕我們
莉莉·沙利文,卡蘭·馬爾韋,理查德·勞斯伯格驚爆魔盜團
祖爾·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,鄭斌輝,Yasmin Hani,呂楊,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陳沛江,Sherry Al Jeffry落難女子
羅伯特·帕丁森,米婭·華希科沃斯卡,大衛·澤爾納,內森·澤爾納,羅伯特·福斯特與世隔絕
Davina Reeves,Maria Abramova毛骨悚然撞鬼經 2016夏季特別篇
稻垣吾郎,武井咲,豐島花,板谷由夏,中島健人,前野朋哉,半海一晃,生田繪梨花,生駒里奈,齋藤飛鳥,白石麻衣,西野七瀨,笨蛋節奏,岸井雪乃,吉本美憂,利重剛,柳葉敏郎,前田敦子,鹿賀丈史同類精選
影視排行
拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內,馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略兩名深信陰謀論的年輕人綁架了一位有權有勢的大型企業女首席執行官(艾瑪·斯通 Emma Stone 飾),因為他們堅信她其實是個企圖摧毀地球的外星人。
治療尸
陳郡君,張立昂,蔡子,陳沛興,鐘麗芬,劉芷希如果靈魂離開了身軀,肉體還是正常活動,該怎么去解釋這種生命形態?余燕(陳郡君飾)早晨醒來便覺得身體有異常,先后與家人和男友許德(張立昂飾)發生爭執,盛怒的余燕轉身離去,隨后發生車禍。經醫生搶救逃過死劫,卻找不到心跳。此時她被劫走,醒來后身處在地下密室,研究失魂者的胡教授解釋余燕會失去魂魄,是因為內心有強烈的負面磁場,一旦受到沖擊,靈魂就會脫離身體。余燕需要在72小時內把自己的靈魂找回來,才能夠恢復正常。
連環殺手芬斯特
Amanda Evans,布里頓·韋伯,布賴恩·安東尼·威爾遜A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster