櫻桃 About Cherry

? 0.0 播放：46萬 2026-04-27

安吉麗娜（阿什麗·欣肖 Ashley Hinshaw 飾）再也無法忍受那讓人頭痛的生活了，母親成天抱著酒瓶子醉醺醺的沒有人樣，而并非親生的繼父除了會對女人施以拳腳外基本上是一個沒有什么大出息的窩囊廢。在男友的建議下，安吉麗娜決定靠拍色情電影來謀生，雖然這過程讓她心里很不是滋味，但當真金實銀的片酬拿在手中時，其他的一切都變得不那么重要了。 靠著這筆錢，安吉麗娜和朋友安德魯（戴夫·帕特爾 Dev Patel 飾）來到了車水馬龍的舊金山，在這里安吉麗娜遇見了她的真命天子弗朗西斯（詹姆斯·弗蘭科 James Franco 飾）。弗朗西斯是一名富有的律師，在他的帶領下，安吉麗娜見識到了所謂上流社會的紙醉金迷，同時，在幾乎處于另一個時空的情色世界里，安吉麗娜正在以“櫻桃”的藝名迅速走紅。

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劇情提要

安吉麗娜（阿什麗·欣肖 Ashley Hinshaw 飾）再也無法忍受那讓人頭痛的生活了，母親成天抱著酒瓶子醉醺醺的沒有人樣，而并非親生的繼父除了會對女人施以拳腳外基本上是一個沒有什么大出息的窩囊廢。在男友的建議下，安吉麗娜決定靠拍色情電影來謀生，雖然這過程讓她心里很不是滋味，但當真金實銀的片酬拿在手中時，其他的一切都變得不那么重要了。 靠著這筆錢，安吉麗娜和朋友安德魯（戴夫·帕特爾 Dev Patel 飾）來到了車水馬龍的舊金山，在這里安吉麗娜遇見了她的真命天子弗朗西斯（詹姆斯·弗蘭科 James Franco 飾）。弗朗西斯是一名富有的律師，在他的帶領下，安吉麗娜見識到了所謂上流社會的紙醉金迷，同時，在幾乎處于另一個時空的情色世界里，安吉麗娜正在以“櫻桃”的藝名迅速走紅。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

愿者安息

　　Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.