開放性婚姻

評分:5.9 播放:32萬 更新:2026-04-26

綾香(市川まさみ)は結婚5年目の専業主婦。夫の慎吾は出版社勤務で忙しく、マンネリした生活とセックスレスな夫婦生活を送っていた。

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鬼馬智多星

林子祥,麥嘉,泰迪·羅賓,姚煒,曹達華,岑建勛,曾志偉

(情歌)

森崎溫,向井康二,及川光博,藤原大祐,齊藤京子,逢見亮太,筒井真理子,皮拉維·塔奇沙鵬,查隆拉·諾山榮,普雷瓦·蘇坦蓬

星際變種

劉敬宇,楊舒婷,凱洱,麥小龍,王藝曈,袁近輝,鄢子綸,李巖研,劉峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大衛·雷登,Norbert M.DuBois,趙鵬濤

人肉農場

諾拉·葉莎耶,Alec Gaylord,Ken Volok,Rob Tisdale,Kelly Mis,David Air,Julie Meghan Brown,Gael Carrion,Jola Cora,Sandra Cruze,Rishi Das,Hollywood Lee DuPree,Catherine Farion,Giovanni Savoia Giò,Ryan Grindstaff

阿姆斯特丹

克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農,麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚,肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內,詹姆斯

電梯游戲

Megan Best,亞當·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas

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影視排行

有情感的機器人

巴萊特·奧利佛,瑪麗·貝絲·赫特,邁克爾·麥基恩,Kathryn Walker

  一名叫達爾的走失男孩被小鎮人們發現,由于沒人認領,他被帶到福利院。經過檢查,醫生發現他身體各項機能正常,而且智商很高,只是失去了一部分的記憶?! ∵_爾被安排暫時居住在安迪家。安迪和妻子喬依斯一直希望能夠領養一個孩子,達爾的到來令他們異常興奮。在相處的過程中,達爾和鄰居家的小男孩特塔成為了非常要好的朋友,他們一起上學、一起玩耍、一起為安迪的棒球隊贏得了勝利,大家都覺得達爾是個非常聰明而且惹人喜愛的男孩?! 『鋈挥幸惶?,兩個自稱是達爾父母的人來接走了達爾,這令安迪全家和特塔非常傷心。達爾也對他們產生了深厚的感情,戀戀不舍地離開了安迪家?! ∈聦嵣线_爾是一個在大腦中被植入芯片的機器人,但他現在具備了一個正常孩子的一切生理機能。來接他的也并非他的父母,而是制造他的博士。博士被達爾和安迪他們的深厚情感所感動,他希望達爾能像正常孩子一樣生活,但國家的高級官員卻要求摧毀達爾。博士在同事的配合下,將達爾帶出試驗基地,遭到警察的追擊,途中博士為了掩護達爾中彈身亡?! ∵_爾潛入空軍基地,開著戰斗機向安迪家的方向飛去??哲娀氐孛孢b控飛機在飛行過程中自動摧毀,達爾彈出飛機,降落在安迪家旁邊的湖中。達爾終于回到了屬于他的“家”中。

血腥老虎:沖突開始

魯格曼·哈菲茲,本·阿米爾,阿馬爾·阿爾菲安

  警官哈金臥底潛入紅虎幫,并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行,還必須直面這些殘暴的罪犯。然而,他遭遇背叛,陷入道德困境,在不為人知的情況下為維護正義而戰,他的忠誠度也受到了考驗。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

朱橘

朝代更迭、戰亂四起,國家外臨強敵、內遭瘟疫。流民孤兒顧小樹與王爺世子李逸自幼相伴,情誼深厚。不料王爺突下追殺令,李逸迫于身份,只得暗中護送男主逃離城邦,并忍痛割席斷交反目。男主在林中遭人伏擊,幸得女箭客相救,同時有黑衣人透露其身世線索。為探尋真相,二人結伴踏上旅途,逐步揭開隱藏在追殺令背后的驚天仇恨與隱秘過往。