在線播放
劇情簡介
Minho,姑姑說她有一位漂亮的女士,她在姨媽的尾聲沒錢就去了倉庫。我試圖逃跑去見她的阿姨與開膛手。我被迫與拉皮條的威脅對付我的姨媽。沒有錢的米尼奧(Minho)最終在那里工作。然后,我將目光投向剛剛到達那里的年輕美麗的Konno。Minho決定與Konno逃脫。但是皮條客和姨媽發現了兩次逃跑嘗試……
同類好片
召喚藍寶寶
瓦萊麗亞·圣馬丁,賈斯蒂娜·塞瓦略斯,丹妮拉·弗洛姆鮑姆警察游戲
杰克·約翰遜,小達蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯機器人8號
黑暗收割
卡塞伊·萊克斯,艾默莉·克魯奇菲爾德,Dustin Ceithamer,亞歷杭德羅·阿卡拉,以斯拉·巴茲頓,杰瑞米·戴維斯,伊莉莎白·里瑟,盧克·柯比,Austin Autry,梅根·貝斯特,杰克·布雷楠,布里坦·道爾頓,史蒂文·麥卡錫,Maclean Fish,納扎利·德姆克維奇,West Mulholland,Carter Heintz,Logan Tomanek,Dylan McEwan,Ryder Dueck樂透大作戰
高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫幻想游戲
久本雅美,板野友美,田中幸太朗,仙石南導演精選
創圣大天使:一發逆轉篇
時長半小時的短片。故事是發生在TV版中途的番外篇,突出兩位女主角的位置,并附帶“歌姬”設定……主題曲延用TV版前半部的OP(但收錄進劇場版時被取消)。
終極囚禁
美國德州一所高中,以布萊德利(賈斯廷·阿諾德 Justin Arnold 飾)為首的一眾男女學生風生水起,橫行霸道,經常以欺負人為樂趣。印度裔學生萊比(Vincent Silochan 飾)、瘦小的戴恩(馬克·多納托 Marc Donato 飾)和有些內向自閉的女孩艾米莉(林德賽·西德爾 Lindsay Seidel 飾)等人更是他們優先欺負的對象。學校的狀況已然如此,與親人的關系又分外冷淡和緊張,戴恩他們的生活看不到一點兒希望。 8個月前,戴恩的叔叔去世,留給他一座偌大的農場作遺產。飽受欺負且試圖自殺的他找到和自己同病相憐的幾個人,他們決定把學校的小霸王們請到舉行派對,在勁歌熱舞之中展開準備已久的血腥復仇……
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.