劇情簡介
本片是香港導(dǎo)演陳果妓女三部曲最后一部（《榴蓮飄飄》，《香港有個荷里活》），本片講述了一個奇特的妓女在香港的一條船上生活的故事。她有著超乎常人的性欲和三個丈夫，她將自己地獻身于她的工作。用性來諷刺時代，這部電影充滿了強烈的欲望。
為你推薦
獵殺大行動
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲編號為223的警察（金城武）失戀后患上失戀綜合癥，在與金發(fā)女殺手（林青霞）擦肩而過又離奇相遇并有了一晚溫情后，原本以為包括“愛情”在內(nèi)的所有東西都有保質(zhì)期的他意外地迎來心靈的短暫溫暖。可是，他們的愛情還是結(jié)束了。快餐店新來的女招待阿菲（王菲）愛上了時常光顧快餐店的編號 為663的警察（梁朝偉），因拆了他的女友（周嘉玲）留在快餐店給他的“分手” 信，阿菲知曉了他的心情，偷拿到他的鑰匙趁他不在時常潛入他家，一邊夢游一邊悄悄地改變他的生活，終在被他撞見時令其感受到情感的回歸。然而，這才是他們愛情的開始。
國王理查德
威爾·史密斯,黛米·辛格頓,薩尼雅·西德尼,安潔紐·艾莉絲-泰勒,喬·博恩瑟,托尼·戈德溫,米凱拉·拉沙·巴塞洛繆,達尼埃萊·勞森,萊拉·克勞福德,埃里卡·林格,諾亞·比恩,克雷格·泰特,喬賽亞·克羅斯 ,小卡爾文·克勞塞爾,沃恩·W·希伯倫,小吉米·沃克,凱文·杜恩,布拉德·格林奎斯特,布蘭頓·莫拉萊斯,愛麗珂謝弗,安迪·比恩,朱迪思?查普曼,切特·格里索姆,喬納森·貝萊,卡特里娜·貝恩,里奇·索莫,艾琳·庫明斯,湯姆·德格南,弗吉尼亞·施奈德,瓦萊麗·戴維森,漢娜·巴爾福特,梅爾·法爾,瑪麗·帕斯科,該片劇本排2018年好萊塢“劇本黑名單”第二，講述理查德·威廉姆斯的真實故事，這位精明務(wù)實、不屈不撓、沒有任何網(wǎng)球背景的父親培養(yǎng) 出了兩個網(wǎng)球天才，她們后來成了超級巨星——維納斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯為女兒們的職業(yè)網(wǎng)球生涯起草了一份78頁的計劃，女孩們在康普頓破舊、雜草叢生的公共球場上學(xué)會了這項運動。據(jù)報道，在那之前，她們的父親與一些不喜歡這項運動、不肯讓位的年輕硬漢發(fā)生了爭執(zhí)。威廉姆斯姐妹后來成為了網(wǎng)球史上最偉大的女選手之二。
新的景色
黑崎煌代,遠藤憲一,井川遙,木龍麻生,菊池亞希子,中山慎吾,吉岡睦雄,蘇鈺淳,服部樹咲,石田莉子,荒生凜太郎,中村蒼高野任職園境建筑師，規(guī)劃澀谷宮下公園重建；露宿者被驅(qū)趕，讓路予結(jié)合戶外休憩與購物商場的新地標(biāo)。為了工作犧牲家庭，大刀闊斧改造都市面貌，自己卻家破人亡了。十年后，一盆蝴蝶蘭令父子重遇，女兒已不再在乎長期缺席的父親。重回故地，親子關(guān)系能否重建？團冢唯我首部長片，善用建筑空間顯現(xiàn)家庭創(chuàng)傷，靜謐中蘊藏情感波動，再以破碎燈泡讓記憶回魂。被離棄的世代游走于冷漠城市，重新審視家人之間的距離之余，亦察看一座城市于急速變形下殘留的空洞。
偶像活動！×美妙天堂 THE MOVIE -相遇的奇跡！-
下地紫野,茜屋日海夏《10周年記念！》 大人気アイドル 奇跡のコラボレーション!! “10年分の愛”と“10年分のありがとう”をいっぱいに詰め込んだ、夢のプロジェクト始動！ 新作ストーリー＆新作ライブの完全オリジナル映畫
餓狼傳說：滿月殺手
蒂娜·露易絲,伊桑·恩布里,艾琳·庫明斯,凱倫·琳恩·高妮,湯姆·諾南,蘭斯·蓋斯特,阿爾·薩皮恩扎,拉瑞·凡斯登,拉特安亞·阿爾達,尼克·丹米奇,Caitlin O'Heaney,Haythem Noor曾經(jīng)馳騁戰(zhàn)場的退伍老兵安布羅斯·麥金利（Nick Damici 飾）終究也抵擋不了衰老和死亡的侵襲，妻子早年去世，兒子威爾（伊桑·恩布里 Ethan Embry 飾）兀自忙著事業(yè)，父子關(guān)系雖不冷淡卻也絕非親近，雙目失明的安布羅斯搭乘著兒子的汽車搬入名為克萊森特灣的老年社區(qū)，陪伴他的只有一條忠誠的狗狗。搬入當(dāng)晚，住在隔壁的老婦人被一只餓狼模樣的怪獸襲擊身亡，而安布羅斯則經(jīng)歷了極其恐怖且終生難忘的夜晚。從醫(yī)生口中得知，該社區(qū)每個月都會發(fā)生一次類似案件，但警方無一例外都將其歸咎為普通的野獸所為。 得不到親人的救助，更無法奢望父母的庇護，安布羅斯只能融入社區(qū)，尋找拯救自己的辦法……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.