在線播放
劇情簡介
講述老湯吃著碗裏的肉,看著鍋裏的肉,最後碗裏的肉發現了鍋裏的肉,一場荒唐的肉戰即將上演......
同類好片
特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當斯,石原崇雅,斯蒂芬·魯特,大衛·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛,邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢我的同桌是極品
宋晨,苑喬太空孤航
亞當·桑德勒,凱瑞·穆里根,保羅·達諾,昆瑙·內亞,伊莎貝拉·羅西里尼,莉娜·奧琳,彼得·帕帕內克,瑪麗安·羅登,蘇珊娜·斯狄沃諾娃, 西妮德·菲爾普斯,珊妮·桑德勒,約翰·夫蘭達斯,巴什·多蘭,彼特·布拉哈,米庫拉斯·奇澤克,杰西卡·貝欽諾娃,索娜·博蒙特,金伯利·韓,勇·李,埃爾克·盧頓金童2025
張繼聰,曾志偉,韋羅莎,林雪,朱栢康,劉皓嵐,火星,邱穟恒,李靖筠,鄭丹瑞,上山詩鈉,袁富華,林燕玲最后一槍2025
Lham Somphol Rungphanit,薩里卡·塞思蘇帕,帕塔納·埃桑固731
姜武,王志文,李乃文,林子燁,孫茜,馮文娟,溫碧霞,李善玉,張琪,李彧,烏蘭托雅·朵,平田康之,小野巽,佐藤匠,徐光宇導演精選
合唱團2025
1916年,第一次世界大戰在西線激烈進行,約克郡拉姆斯登的合唱協會失去了大部分男性成員,他們都應征入伍了。雄心勃勃的委員會決心繼續前行,決定招募本地的年輕男性來填補隊伍空缺。同時,他們還必須聘請一位新的合唱指揮,最有希望的人選是亨利·格思里博士(拉爾夫·費因斯 飾)——一個意志堅定、毫不妥協、剛從德國音樂生涯歸來的男人。隨著征兵通知陸續送達,全社區的人逐漸意識到,在戰爭摧毀一切的混亂中,最有力的回應就是:一起奏響音樂。
方法演技
《方法演技》是一部刻意追求搞笑的電影,其不動聲色的手法使其更加有趣和令人心酸。具有諷刺意味的是,這部非凡的喜劇電影中的明星是演員李東輝(由他自己扮演),他討厭喜劇表演。盡管他努力重塑自己,但機會似乎難以捉摸,他發現自己越來越沮喪。出乎意料的是,他收到了一個令人驚訝的邀請,在一部傳統古裝劇中扮演一位國王。為了完善他對這位威嚴的皇室人物的刻畫,東熙潛心于方法表演。然而,在這部歷史劇中,事情很快變得不同尋常。方法演技巧妙地平衡了混亂的拍攝環境和家庭敘事,在處理創造性元素的同時,以無縫的精確度描繪了人物的掙扎,從而產生了一部出色的喜劇。最重要的是,演員們的表演達到了恍惚的程度,確實非常出色。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster