播放通道
詳細(xì)簡介
熱門影視 大家都在看
秘密會議
拉爾夫·費因斯,斯坦利·圖齊,約翰·利思戈,盧西安·姆瑟馬蒂,賽爾喬·卡斯特利托,伊莎貝拉·羅西里尼,布萊恩·F·奧博恩,卡洛斯·迪赫茲,梅拉布·尼尼澤,托馬斯·洛伊布爾,亞采克·科曼,布魯諾·諾維利,羅尼·克拉默,瓦萊里奧·達·席爾瓦,約瑟夫·邁德爾,文森佐·法伊拉,加里克·哈根,馬達夫·夏爾馬,洛里斯·洛迪,羅伯托·西特蘭侏羅紀(jì)公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾隱市英雄
彭禺厶,王莎,連奕名,來喜,于莉紅,張家豪,馬詩紅,翟星月,崔顥嚴(yán)安妮·霍爾
伍迪·艾倫,黛安·基頓,托尼·羅伯茨,卡羅爾·凱恩,保羅·西蒙,謝莉·杜瓦爾,珍妮特·瑪戈林,科琳·杜赫斯特,克里斯托弗·沃肯,唐納德·賽明頓,瓊紐曼,馬丁羅森布拉特,亨澤爾,拉舍爾·諾維科芙,拉塞爾·霍頓,馬歇爾·麥克盧漢,瑪麗·博伊蘭,約翰·多馬尼安,波波·馬羅夫,Rick Petrucelli,克里斯·甘佩爾,迪克·卡維特,馬克·雷納德,約翰·格洛弗,約翰·丹尼斯·約翰斯頓,勞麗·伯德,杰夫·高布倫,查爾斯·萊文,Johnny Haymer,邁克爾·阿羅寧,Ved Bandhu,Jim McKrel尤哈
薩卡里·庫斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫·佩爾托拉智能女傭
尼克·卡魯喬,Hailey Mauk,朱麗葉·塞茜爾同類推薦
咸魚翻身
李健仁,梁家仁,鐘偉強,程東,黃一山,馬雪陽,Boz,董方卓此片主題為講述兩代人為勝利與人生尊嚴(yán)拼搏不息、最終實現(xiàn)足球夢的勵志故事。
邪惡校園
尼古拉斯·霍普,Megan Drury,Will McDonald,Texas Watterston,Jack Ruwald艾美從又濕又冷的浴缸裡驚醒，發(fā)現(xiàn)自己似乎被軟禁在一所廢棄的學(xué)校。身邊一片漆黑又恐怖，斑駁的牆壁上有一些詭譎的塗鴉。在她遭軟禁期間，只能與腦中想法相依。身為一名醫(yī)生，同時也是妻子和悲傷的母親，始終無法認(rèn)清兒子因為意外已長眠的事實，並認(rèn)為兒子也被困在學(xué)校裡面。在這充滿敵意、超自然煉獄般的學(xué)校，深陷於黑暗與絕望的艾美極力想要找到她的兒子。她不斷打破「學(xué)校」的規(guī)則，隨著艾美遇到住在「學(xué)校」的恐怖邪惡生物，令人畏懼的超自然力量與內(nèi)心恐懼接踵而至，到底她對抗的是這些恐怖的生物，還是自己的心魔呢?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
通往絞刑架的電梯
讓娜·莫羅,莫里斯·羅內(nèi),喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內(nèi),弗朗索瓦·茹,伊萬·彼得羅維奇,費利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利前傘兵軍官朱里安?塔維尼（Maurice Ronet 飾）退役后在一家軍火公司上班，期間他和老板西蒙?卡瑞拉（Jean Wall 飾）的妻子弗洛倫絲（Jeanne Moreau 飾）陷入熱戀。為了掃清障礙，他和情婦制定了一條看似天衣無縫的謀殺計劃。計劃起初進展順利，但在刺殺之后卻因細(xì)微的差錯偏離當(dāng)初的設(shè)想，朱里安更被困在大樓的電梯之中。 所謂禍不單行，一對青年男女偷走了朱里安的車，事態(tài)開始朝著混亂的方向發(fā)展…… 本片為左岸派元老路易?馬勒的長片處女作，榮獲1957年路易?德呂克獎
德州棉花
喬治·哈迪,杰森·道格拉斯,蒂凡妮·謝皮斯,吉因·瓊斯,盧·坦普爾,Torrence Davis,Terri Merritt Bennett,賈德·羅德曼,朱麗葉塔·丹妮埃拉一位年邁的老警察深信在他小鎮(zhèn)上被捕的神秘陌生人是無辜的，進而展開的調(diào)查就像捅了馬蜂窩一樣，將永遠改變這個鎮(zhèn)子。