芬蘭的湯姆

評分：6.9 播放：93萬更新：2026-04-27

戰(zhàn)爭軍旅

Tom暫無內(nèi)容of暫無內(nèi)容Finland暫無內(nèi)容的同志情色插畫，相信不少人都欣賞過。碩大的肌肉、壯闊的廣膊、下體大大的一包，連黑色的皮褲都遮蓋不住。電單車、制服、一組組激情動作連環(huán)圖，教一代代同志血脈沸騰。這是暫無內(nèi)容Tom暫無內(nèi)容of暫無內(nèi)容Finland暫無內(nèi)容的暫無內(nèi)容傳記故事。他本來是一名軍官，二次大戰(zhàn)時為國家拼死奮戰(zhàn)。戰(zhàn)后回到芬蘭，卻因為同志的身份，處處受到歧視和打壓，只好寄情藝術(shù)，畫下一幅幅解放性愛的情色插畫，影響力沖出國際，推動了一代同志的性解放，忠于自己，悍衛(wèi)同志的權(quán)利。

影片推薦

同類精選

別怕，是我

凱拉·贊德爾

反恐疑云

杰克·吉倫哈爾,瑞茜·威瑟斯彭,梅麗爾·斯特里普,艾倫·阿金,彼得·薩斯加德,奧瑪爾·梅特瓦利,艾格爾·納爾,哈達爾·拉特松·羅滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·庫阿斯,奇內(nèi)布·烏凱什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼爾·馬戈姆,鮑勃·岡頓,雷曼德·阿薩雷米,Wendy Phillips,Christian Martin,哈薩姆·甘西,納吉布·尼西里,芭妮·里維拉,安妮·貝坦克特,理查德·多頓,Floella Benjamin,Michael Dube,斯蒂夫·湯姆,羅伯

在魔鬼門前

娜雅·里維拉,阿什莉·里卡茲,科林·伊格斯菲德

大明嬪妃之離間

宋洋,朱一龍,何杜娟,關(guān)慧卿

全面開戰(zhàn)：兄弟會

納魯納·科斯塔,Camilla Dami?o,大衛(wèi)·桑托斯,艾爾茲奧·維埃拉,Enio Cavalcante,艾米拉·蓋德斯,Lee Taylor,馬西莉亞·卡爾塔舒,塞烏·喬奇,史蒂法尼·莫塔,Samurai Cria

食人晚宴

Alexandra Lesch,Kristiana Rohder,Lara Baum

影視排行

夜間巡邏

賈斯汀·朗,德蒙特·莫羅尼,杰梅因·福勒,CM朋克,尼基·米切奧,RJ·賽勒,飛蓮,邁克·弗格森,弗雷迪吉布斯,Zuri Reed,埃文·沙夫蘭,YG,Kim Yarbrough,Colin Young,喬恩·奧斯華爾德,尼克·吉利,Dennis Boyd

　　An L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.

記憶裂痕：血親幻影

里羅·得萬托,法拉迪娜·穆夫提,馮尼·安格萊尼,Jordan Omar,Nova Eliza,Gambit Saifullah,Tony Merle,Sultan Hamonangan,Henry Manampiring

國際知名微縮畫家Alif遭遇嚴重車禍后失憶，一名老婦人突然現(xiàn)身，自稱是他失散18年的母親。Alif在拼湊破碎記憶的過程中，逐漸發(fā)現(xiàn)母親的身份疑點重重，同時揭開了自己童年、家族與馬林?昆當傳說背后的黑暗真相。他必須在身份崩塌與創(chuàng)傷反噬中，直面自己的過去，終結(jié)這場由傳說編織的懸疑迷局。

假面復仇

Marco Giallini,Edoardo Leo,Catrinel Marlon

　　騙子離開大衛(wèi)破產(chǎn),失業(yè)& -他的女朋友。所以他開始找到騙子但是復仇并不是在他的腦海中。

公寓2024

斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,Manika

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.