情奮

? 9.3 播放：57萬 2026-04-27

蕾莎即將與一位年長的富商結婚，她在園丁奧措的幫助下引誘她未婚夫的女兒凱特琳，并記錄他與她的性行為，以便讓她斷絕關系。

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? 播放 情奮

劇情提要

蕾莎即將與一位年長的富商結婚，她在園丁奧措的幫助下引誘她未婚夫的女兒凱特琳，并記錄他與她的性行為，以便讓她斷絕關系。

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

無效郵件

一份不祥的求助信被傳到了20世紀80年代的一家郵局里，將一名死信調查員與一名被綁架的鍵盤技術員聯系起來。