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佩珀·柯達,鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁人工情報
趙寅成,樸正民,樸解浚,申世景判妖邪
韓棟,趙黛溪,都桂宇,劉旭,宋海頡鬼聲波
羅絲·麥高恩,克里斯托弗·洛伊德,邁克爾·艾克朗德,理查德·古恩,Jane Moffat為你遺憾
麥肯娜·格瑞絲,梅森·泰晤士,艾莉森·威廉姆斯,戴夫·弗蘭科,斯科特·伊斯特伍德,薇拉·菲茨杰拉德,薩姆·莫雷洛斯,克蘭西·布朗,庫爾特·岳,奧布雷·布洛克維,瑪莎兒·樂芙蘭,盧克·皮埃爾·羅內斯,伊桑·科斯塔尼拉,艾麗西亞·卡斯伯特森,威廉·伯納姆·西蒙斯,瑞安·康納·西蒙斯,丹尼爾·史密斯,哈薩尼·維貝茲·科默,瑪克西瑪·馬斯特斯勇敢的馬隊：伊沃克人歷險記
Eric Walker,沃維克·戴維斯,菲奧紐拉·弗拉納根,蓋伊·博伊德,奧布麗·米勒,伯爾·艾弗斯,Daniel Frishman,黛比·李·卡林頓,托尼·考克斯,凱文·湯普森,Margarita Farrell,Pam Grizz,Bobby Bell,Darryl Henriques,Sydney Walker,Jon Berg,蒂芙妮·布里塞特柏林綜合癥
泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格同系列推薦
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈標錯參
洪金寶,鐘鎮濤,王祖賢,梁珊,曹查理,陳友舉起手來2：追擊阿多丸號
潘長江,郭達,劉小微飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚愛寵
多米尼克·莫納漢,克塞尼亞·索羅,詹妮特·麥柯迪,達旺·麥克唐納,內森·帕森斯,珍妮特·桑,加里·J·滕尼克利夫,丹尼斯·加西亞,約翰·羅斯·鮑伊,肖恩·布萊克默,艾琳·羅森,阿拉斯代爾·馬丁,哈莫尼·麥克利戈特,瑞秋·魯濱遜半夜叫你別回頭2
梅瓊,趙翊驍,姜夢茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴佳茵,武朋幕后花絮
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
獨自赴死
Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.