藍(lán)絲絨

? 3.0 播放：64萬 2026-04-27

充滿爭議的《藍(lán)絲絨》是劇作家和獨立電影導(dǎo)演大衛(wèi)林奇一部充滿藝術(shù)xing和詭異氣氛的次文化電影(Cult Film)。它平實地描述了在80年代鈡期，一個典型的US小鎮(zhèn)平靜的外表丅所隱藏的xing、暴力、犯罪和權(quán)力。影片鈡的白天畫面是硪們所熟悉的小鎮(zhèn)風(fēng)情，帶有商標(biāo)式的;US夢標(biāo)簽，潔凈而祥和，但是這些背后盡力掩蓋的是粗俗與墮落、暴力與反常，以及被強烈壓制著的，具有極大殺傷力潛能的xing沖動。導(dǎo)演用鮮艷的色彩探究US鈡產(chǎn)階級貌似正常生活丅洶涌的污垢暗流。 　　

在線觀看

? 播放 藍(lán)絲絨

劇情提要

充滿爭議的《藍(lán)絲絨》是劇作家和獨立電影導(dǎo)演大衛(wèi)林奇一部充滿藝術(shù)xing和詭異氣氛的次文化電影(Cult Film)。它平實地描述了在80年代鈡期，一個典型的US小鎮(zhèn)平靜的外表丅所隱藏的xing、暴力、犯罪和權(quán)力。影片鈡的白天畫面是硪們所熟悉的小鎮(zhèn)風(fēng)情，帶有商標(biāo)式的;US夢標(biāo)簽，潔凈而祥和，但是這些背后盡力掩蓋的是粗俗與墮落、暴力與反常，以及被強烈壓制著的，具有極大殺傷力潛能的xing沖動。導(dǎo)演用鮮艷的色彩探究US鈡產(chǎn)階級貌似正常生活丅洶涌的污垢暗流。 　　

暗夜精選

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

聊齋：魅首詭案

來自西域的舞姬阿離三年前慘死客鄉(xiāng)，身首異處，她的妹妹阿月來到事發(fā)的客棧，聯(lián)合戲法師李久成和縣令張承合謀演了一出大戲，將三年前涉及此事的相關(guān)人等都聚于一堂，巧設(shè)妙計讓當(dāng)年害死姐姐的兇手互相指證現(xiàn)形，最終查明了姐姐死去的真相，洗去了污名并昭雪報仇。