私人采購員 Personal Shopper (2016)
莫林，一位在巴黎的年輕美國女孩，她的工作是替一位有名的女士照看衣櫥。她討厭這份工作，卻找不到更好的來負擔她在巴黎的開銷。她等待著，等待著關于她最近消失的雙胞胎兄弟——劉易斯的消息。而她的手機突然開始收到一些陌生的匿名消息。
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馬路天使1937
周璇,趙丹,魏鶴齡,錢千里1930年代，小云、小紅（周璇）姐妹被人騙到上海賣給琴師和妓院老鴇夫婦，小云被迫做了暗娼，小紅年紀尚小，又天生有一副好嗓子，便隨琴師去茶樓終日賣唱。姐妹兩人住在貧民窟，在她們對面，住的分別是報販老王和吹鼓手陳少平（趙丹）。因為閑來無事時陳少平常同小紅對窗玩鬧，兩人漸生感情。 小紅賣唱時被流氓古成龍纏上，對方欲強霸她為妾，小紅找陳少平商量對策，兩人本想借助律師將正義伸張，不想律師雙眼只認錢，無奈之下只得逃走，而這一過程中，老王對小云由憐生愛，可是小云卻因自卑不敢正視。琴師偶知陳少平與小紅下落，放風給古成龍，古成龍趕到小紅住處時，屋里只有她和小云，兩人生命危在旦夕。
活著
葛優,鞏俐,姜武,牛犇,郭濤,張璐,倪大紅,肖聰,董飛,劉天池,董立范,黃宗洛,劉燕瑾,李連義,楊同順根據余華同名小說改編。富少福貴（葛優）嗜賭成性，妻子家珍（鞏俐）屢勸無果后帶著女兒鳳霞離開了他，當夜，福貴輸光所有家產氣死父親，被迫靠變賣母親首飾租間破屋過活。一年后，家珍手拉鳳霞懷抱剛出世的兒子有慶回到家中，福貴痛改前非，開始靠演皮影戲過起安份守己的日子。但好景不常，內戰時期，福貴被國民黨抓去當勞工，一番輾轉終回到家鄉與一家人團圓后，鳳霞因病變成啞巴，而在后來的大躍進運動和文化大革命中，他雖獲某些小福，逆境卻也一直與他如影相隨。
鏢人：風起大漠
吳京,謝霆鋒,于適,陳麗君,孫藝洲,此沙,李云霄,梁家輝,張晉,惠英紅,張譯,李連杰,劉耀文,熊瑾怡,莒謙朗,白那日蘇,梁壁熒,文俊輝,董思成,林秋楠,景瓷,張藝瀧,李嘉輝,寇占文,代樂樂,釋彥能,徐向東,淳于珊珊,孟鶴堂,于榮光,陳少熙,趙箭,袁和平大漠之上，鏢人、官府、西域五大家族等多方勢力盤根錯節、暗潮涌動。“天字第二號逃犯”刀馬接下特殊押鏢任務，和同伴一起從西域護鏢遠赴長安。不料，他們的護送對象竟是“天字第一號逃犯”知世郎……天下熙熙皆為利來，各方勢力聞風入局，搶鏢廝殺接連上演……
鬼眨眼
Rachel Armiger,Alexandria Benford,Ashleigh Coffelt,Alyssa Dalgleish,Parker Damm,Sterritt David,Eileen del Valle,Reed DeLisle,Consuelo M. Edwards,Jaime Horrigan,Kenny Johnson,Mike Jones,Seth Adam Kallick,Matt Lake,Erik Kristopher Myers,艾德亞多·桑奇茲,蓋文·約克A filmmaker discovers a box of video tapes depicting two students' disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
聊齋：魅首詭案
吳添豪,馬麗亞,阿麗亞,郭紳鈺,傲蕾來自西域的舞姬阿離三年前慘死客鄉，身首異處，她的妹妹阿月來到事發的客棧，聯合戲法師李久成和縣令張承合謀演了一出大戲，將三年前涉及此事的相關人等都聚于一堂，巧設妙計讓當年害死姐姐的兇手互相指證現形，最終查明了姐姐死去的真相，洗去了污名并昭雪報仇。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster