大膽的侄女

★ 4.2 播放:40萬 更新:2026-04-27
主演:TintoBrass 

講述了斯爾維亞在母親去世后,被叔叔接到了家中,碰到了英俊帥氣的表弟馬克,兩人一見鐘情,瘋狂的相愛,這一切引起了表姐艾璉娜的不滿,于是艾璉娜想把她趕走,斯爾維亞為了報復表姐,乘表姐洗澡的時候勾引了表姐的男友,最后艾璉娜無奈只好離家去教會辦的寄宿學校讀書,以期離開荒誕的家庭,沒想到,剛進宿舍就發現,兩個室友竟是同性戀,荒誕的故事由此展開。。。   

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劇情簡介

講述了斯爾維亞在母親去世后,被叔叔接到了家中,碰到了英俊帥氣的表弟馬克,兩人一見鐘情,瘋狂的相愛,這一切引起了表姐艾璉娜的不滿,于是艾璉娜想把她趕走,斯爾維亞為了報復表姐,乘表姐洗澡的時候勾引了表姐的男友,最后艾璉娜無奈只好離家去教會辦的寄宿學校讀書,以期離開荒誕的家庭,沒想到,剛進宿舍就發現,兩個室友竟是同性戀,荒誕的故事由此展開。。。   

導演精選

自殺俱樂部2001

 夜色沉沉的東京新宿站,勞碌一天的人們依舊行色匆匆,仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服,似乎早已約好一般同時來到這里,女孩們在月臺前一字排開,手拉手齊齊跳向飛馳而來的列車。一時間血光四濺,54個鮮活的生命瞬間消失。 這一事件轟動全國,與此同時類似集體自殺的事件愈演愈烈,甚至連調查此案的警官黑田敏春(石橋凌 飾)及其家人也受到波及。黑田的搭檔涉澤健次(永瀬正敏 飾)通過不懈的調查,發現一連串的自殺事件都和一個名為“自殺俱樂部”的網站有關。事件的真相究竟如何?慘劇最終能否終止?

世外逃劫

  喪尸危機爆發后,一家人躲到一處偏僻的農場。然而,當他們在這個荒涼的世界求生時,隱藏多年的痛苦秘密給這家人造成了巨大陰影。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.