只愛(ài)你一個(gè)

4.9 播放:75萬(wàn) 2026-04-27
主演:Cara Gonzales Ronnie Lazaro Kylie 

Lira,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容prize-winning暫無(wú)內(nèi)容author,暫無(wú)內(nèi)容spends暫無(wú)內(nèi)容a暫無(wú)內(nèi)容week暫無(wú)內(nèi)容to暫無(wú)內(nèi)容finish暫無(wú)內(nèi)容her暫無(wú)內(nèi)容final暫無(wú)內(nèi)容novel.暫無(wú)內(nèi)容But暫無(wú)內(nèi)容when暫無(wú)內(nèi)容she暫無(wú)內(nèi)容meets暫無(wú)內(nèi)容Andrei,暫無(wú)內(nèi)容a暫無(wú)內(nèi)容young暫無(wú)內(nèi)容documentarist,暫無(wú)內(nèi)容her暫無(wú)內(nèi)容plans暫無(wú)內(nèi)容start暫無(wú)內(nèi)容to暫無(wú)內(nèi)容change.

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圍困

尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,列夫·佐洛圖欣,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,丹尼爾·薩加爾,Vasiliy Minin,Valentin Abramov,Anatoliy Verbitskiy,米哈伊爾·烏里揚(yáng)諾夫,Roman Gromadsky,Konstantin Malakhov,Stanislav Fesyunov,Yuri Maltsev,Aleksandr Afanasev,Vladimiras Lido,Yuri Ku

  該片講述了偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)期間列寧格勒遭受德寇?chē)У木虐偬?,列寧格勒軍民克服種種令人難以置信的困難--饑餓,轟炸,疾病,寒冷——保衛(wèi)了這座“英雄城”并最終打破了德寇的圍困的故事。

如何大賺一筆

格倫·鮑威爾,瑪格麗特·庫(kù)里,杰西卡·亨維克,比爾·坎普,扎克·伍茲,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗蘭切威勒,拉夫·洛,史蒂夫·馬克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅倫·邁克爾,內(nèi)爾·威廉姆斯,喬·瓦茲,馬丁·門(mén)羅,比安卡·阿瑪托,羅伯特·霍布斯,伊桑·桑德斯

 本是豪門(mén)繼承人的貝克特·雷德費(fèi)洛(格倫·鮑威爾 Glen Powell 飾)被家族拋棄,為了確保成為巨額遺產(chǎn)的唯一繼承人,他不擇手段干掉了七個(gè)親戚。影片靈感來(lái)源于1949年的喜劇《仁心與冠冕》。

肖菲勒

埃里卡·弗雷澤,埃里克·庫(kù)比亞克,馬蒂·麥克唐納

  

七年很癢

劉青云,應(yīng)采兒,劉嘉玲,安志杰,蔣怡

  Golf Club經(jīng)理潘致文(劉青云飾)與老婆張美瑛(蔣怡飾)結(jié)婚將近七年,生活平淡、枯燥,雖然他渴望著過(guò)過(guò)“放蕩的新生活”,但是天性膽小,只敢說(shuō)不敢做,基本上是一個(gè)善良的小男人?! ∵@一次美瑛要去外地旅行,潘致文覺(jué)得這是個(gè)大好機(jī)會(huì),于是決定趁這個(gè)“婚姻大假”找尋一些刺激。撫慰自己強(qiáng)壓六年多的欲海?! ∫雇碓赑UB中,致文就邂逅了冶艷少女趙靜(應(yīng)采兒飾),令到他心癢難忍。正當(dāng)致文準(zhǔn)備向阿靜展開(kāi)攻勢(shì)的時(shí)候,卻在相處中了解到她原來(lái)身世相當(dāng)凄慘,放蕩的行為只是因?yàn)楣录诺哪娣矗挛膽z憫之心大增,無(wú)奈中不得不放棄了占有的欲念?! 《c此同時(shí),致文又遇上了自己的初戀情人張采冰(劉嘉玲飾),已經(jīng)成為事業(yè)女性的阿冰目前生活無(wú)憂(yōu),身邊男伴無(wú)數(shù),并且和一個(gè)健身教練WIL(安志杰飾)關(guān)系曖昧。但是外表熱情似火的她對(duì)于致文依舊念念不忘,致文立刻與冰重燃了愛(ài)火,但同時(shí)也覺(jué)得對(duì)妻子心存愧疚。然而此時(shí)此刻家庭的危機(jī)也漸漸發(fā)生了出人意料的變化……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

超乎想象2

丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書(shū)亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾

 Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.