年輕的母親2
關(guān)于一個(gè)韓國(guó)大學(xué)生屌絲的故事 楊吉（Yeong Gil）正在讀研究生，并被迫找工作。 更糟糕的是，他還沒有與女性打交道的經(jīng)驗(yàn)，因此他一直在夢(mèng)中尋找一些東西，但一無所獲。 有一天，他的生活發(fā)生了變化，他把手伸到潘多拉魔盒（The Box of Pandora）并得到一份工作，盡管這不是正常的工作。 即使不是他想象中的那樣，他在面試中也和女上司一起睡覺。 然后有一天，他去了如妍的家，遇到了她美麗的母親。
在線看
同款熱播
風(fēng)中的洛朗
巴蒂斯特·佩魯薩,碧翠斯·黛爾,托馬斯·達(dá)洛茲,莫妮克·克雷斯潘,雷蒙·巴爾諾,蘇贊妮·德芭奎,賈尼斯·布茲亞尼,呂西爾·巴萊佐,貝努瓦·格拉爾東,馬克西姆·馬尼昂,布魯諾·萊德,喬納森·默爾,帕梅拉·勒莫尼耶·埃利亞斯,維吉妮·阿爾諾,蕾拉·埃利亞斯,朱迪思·弗拉吉,伊拉·韋爾比茨卡亞,弗朗索瓦·奎克雷,約瑟芬·穆爾拉克,路易絲·皮特爾29歲的洛朗正在尋找人生的意義。他最終來到一個(gè)淡季的廢棄滑雪場(chǎng)，很快融入了當(dāng)?shù)厣贁?shù)居民的奇特生活。當(dāng)冬季來臨游客涌入時(shí)，洛朗卻發(fā)現(xiàn)自已已無法抽身……
靈魂密室
Katherine McNamara,Dove Cameron,Braeden Lemasters,Ryan McCartan,Tiffany Espensen一位邪惡的馬戲團(tuán)老板在幾位高中生的小鎮(zhèn)上演“鬼屋”，他們必須抗拒他的魔咒。
阿姆斯特丹
克里斯蒂安·貝爾,瑪格特·羅比,約翰·大衛(wèi)·華盛頓,亞歷桑德羅·尼沃拉,安德麗婭·賴斯伯勒,安雅·泰勒-喬伊,克里斯·洛克,馬提亞斯·修奈爾,邁克爾·珊農(nóng),麥克·梅爾斯,泰勒·斯威夫特,蒂莫西·奧利芬特,佐伊·索爾達(dá)娜,拉米·馬雷克,羅伯特·德尼羅,梅爾·法爾,邦尼·赫爾曼,馬克斯·佩利希,小艾德·博格里,考林·加普,勞倫·肖,布蘭登·戴維斯,凱西·比格斯,戴·揚(yáng),肖恩·艾弗里,潔基伯明翰,瑞貝卡·薇索基,史蒂文·哈克,貝絲·格蘭特,湯姆·埃爾文,利蘭·奧瑟,馬丁·威廉·哈里斯,文森特·M·比肖內(nèi),詹姆斯三位好友，一樁謎案，驚天陰謀，即將揭曉...... 全明星陣容共同演繹，奧斯卡提名導(dǎo)演大衛(wèi)·O·拉塞爾執(zhí)導(dǎo)，克里斯蒂安·貝爾、瑪格特·羅比、約翰·大衛(wèi)·華盛頓主演，泰勒·斯威夫特驚喜亮相！當(dāng)目擊者變成嫌疑人，身處風(fēng)暴中心的他們，該如何守護(hù)彼此，發(fā)現(xiàn)真相？
解放3：主攻方向
米哈伊爾·諾日金,尼古拉·奧拉寧,米哈伊爾·烏里揚(yáng)諾夫,拉里莎·戈盧布金娜,Bukhuti Zakariadze,瓦西里·舒克申,尼古拉·雷布尼科夫,弗拉季斯拉夫·斯特爾熱利奇克,Yevgeni Burenkov,阿納托利·羅馬申,彼得·謝爾巴科夫,伊萬·彼列維捷夫,弗拉德連·達(dá)維多夫,謝爾蓋·哈欽科,德米特里·弗蘭科,T?nu Aav,Fred Alexander,Ingrid Andrina,維克多·阿夫久什科,Iren Azer,Viktor Bajkov,Martha Beschort-Diez,為紀(jì)念蘇聯(lián)衛(wèi)國(guó)戰(zhàn)爭(zhēng)30周年，前蘇聯(lián)莫斯科電影制片廠于1970—1972年，拍攝了一部堪稱前蘇聯(lián)電影史上耗資最巨、規(guī)模最大、場(chǎng)面最為壯觀的戰(zhàn)爭(zhēng)題材影片———《解放》。影片從1943年蘇聯(lián)紅軍反攻（庫(kù)爾斯克戰(zhàn)役）開始，到強(qiáng)渡涅伯河，解放基輔，最后攻克柏林。分為五集，片長(zhǎng)將近8個(gè)小時(shí)。導(dǎo)演尤里·奧澤洛夫?yàn)閺?qiáng)調(diào)“紀(jì)實(shí)性”、“史詩(shī)性”，在影片中穿插了大量的真實(shí)歷史文獻(xiàn)鏡頭。影片還出現(xiàn)了不少歷史人物，如斯大林、朱可夫、羅斯福、丘吉爾、希特勒、墨索里尼等。此外，影片還蘊(yùn)涵豐富感人的故事情節(jié)，從蘇、德兩軍統(tǒng)帥到普通士兵，從蘇軍反攻到德軍覆沒，成功地表現(xiàn)了一種攻無不克、戰(zhàn)無不勝的革命樂觀主義精神。
尸骨袋2
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說。 暢銷小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢(mèng)到和Jo一 起購(gòu)買的緬因州湖畔別墅，夢(mèng)到裝在袋子里的腐爛尸骨，夢(mèng)見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財(cái)萬貫的祖父對(duì)小女孩的撫養(yǎng)權(quán)爭(zhēng)奪戰(zhàn)，并不時(shí)遭遇神秘鬼魂的騷擾。那些不斷升級(jí)的噩夢(mèng)，還有神秘鬼魂的騷擾，都讓他意識(shí)到，這個(gè)小鎮(zhèn)隱藏著一些秘密，而死去的Jo也有事情想要告訴他……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.