女人是男人的未來(lái)
七年前，宣花（成賢娥 飾）是憲俊（金泰宇 飾）的女友。文昊（劉智太 飾）是憲俊的學(xué)弟，同時(shí)文昊又一直暗戀宣花。不久憲俊到國(guó)外留學(xué)，宣花與文昊兩人開始約會(huì)，但最終也沒能走到一起。 憲俊在七年后學(xué)成歸國(guó)，并成了導(dǎo)演，他找到了在大學(xué)教書的文昊聚舊，這時(shí)候文昊已成家立室。敘談之間，他們漸漸說起了往日所愛宣花。他們都想再次見到宣花，于是兩人決定一起去尋找宣花。 在一同尋找舊愛的過程中，兩個(gè)男人之間又開始有了內(nèi)心的較量。
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我是桐島
每熊克哉,北香那,奧野瑛太,高橋惠子,原田喧太,影山祐子,山中聰,鄭龍進(jìn),嶺豪一,和田庵,伊藤佳範(fàn),宇乃徹,長(zhǎng)村航希,海空,安藤瞳,咲耶,趙珉和,松本勝,秋庭賢二,佐藤壽保,ダーティ工藤,白川和子,下元史朗,甲本雅裕物語(yǔ)は1970年代、桐島の大學(xué)時(shí)代から始まる。反日武裝戦線の活動(dòng)に共鳴して行動(dòng)をともにしていた彼は、1974年の三菱重工爆破事件で多數(shù)の犠牲者を出したことにより、深い葛藤にさいなまれる。警察當(dāng)局の捜査が進(jìn)んで組織が壊滅狀態(tài)になる中、指名手配された桐島は偽名を使って逃亡。やがて工務(wù)店での住み込みの職と靜かな生活を手にした桐島は、ライブハウスで歌手キーナと知り合う。
向光花盛開
黃志忠,趙潤(rùn)南,齊歡,江珊,任重,歐豪我叫夏津生，做水產(chǎn)生意，45歲那年我兒子跳樓自殺了，他死后第37天我進(jìn)了他所有的群，我發(fā)現(xiàn)里面全都是有抑郁傾向企圖輕生的孩子，我不知道為什么，我在“約死群”留言1萬(wàn)9千次，問過127個(gè)男孩，49個(gè)女孩，到現(xiàn)在也沒有答案……
茱莉亞
簡(jiǎn)·方達(dá),杰森·羅巴茲,瓦妮莎·雷德格雷夫,馬克西米連·謝爾,梅麗爾·斯特里普故事發(fā)生在二十世紀(jì)三十年代初期，莉蓮（簡(jiǎn)·方達(dá) Jane Fonda 飾）前往維也納尋找自己曾經(jīng)的好友茱莉亞（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾），到達(dá)目的地之后，莉蓮才知道，茱莉亞因?yàn)楹头ㄎ魉怪С终甙l(fā)生了激烈沖突而受傷住進(jìn)了醫(yī)院，之后不知所蹤。在莉蓮回歸自己的生活之后，她意外的收到了茱莉亞的來(lái)信，在信中，茱莉亞請(qǐng)求莉蓮幫助自己投運(yùn)五萬(wàn)美元給反納粹組織，盡管這一舉動(dòng)在當(dāng)時(shí)意味著巨大的危險(xiǎn)，但是莉蓮還是答應(yīng)了茱莉亞，最終，兩個(gè)多年未見的好友在柏林重逢。然而，沒過多久，莉蓮便受到了茱莉亞的死訊，在悲痛之中，莉蓮明白，自己還有未完成的任務(wù)。
天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山該劇主要講述了古代傳奇女俠李四娘的一段經(jīng)歷。揮劍斷水,水更流,血濺四方,收刀看山,山在天,玉女情仇。 明嘉歷年間,從長(zhǎng)白山到廣東參加武林大會(huì)的武林頂尖高手敖龍帶著師弟王虎,在客棧輕易擊敗“山西五虎”，得到暗中觀看的客棧老板娘李四娘的親膩，敖龍經(jīng)不起媚香軟骨、自投羅網(wǎng)的與李四娘一夜快活風(fēng)流......次日，敖龍帶領(lǐng)徒兒到玉女山莊找到莊主楊夫人報(bào)兩年前的 之仇，一翻驚心動(dòng)魄的打斗后，最后師弟王虎感覺事有蹊蹺，即提出在武林大會(huì)中解決兩家的仇怨。 武林大會(huì)在盟主齊大俠的主持下進(jìn)行，敖龍此時(shí)并沒有在大會(huì)上提出與楊夫人的仇怨，使楊夫人頓感詫異。而有兩個(gè)為家中雞鴨偷搶的人來(lái)到武林大會(huì)要求解決，齊大俠頓時(shí)感到殺機(jī)重重一場(chǎng)武林浩劫可能即將到來(lái)。夜間晚宴，果然有人提出重選新盟主，武林群雄力推齊大俠連任，只有敖龍反對(duì)，導(dǎo)致所有人不歡而散，群雄聚宴，酒后的李四娘不惜肌膚相親、百般挑逗引誘少林大師，讓大師神魂顛倒......此舉恰被一道姑瞅到，頓然芳心蕩漾、意亂魂迷，大膽飛紙傳情約大師林中風(fēng)流......當(dāng)晚，敖龍與李四娘合謀用計(jì)在客棧將齊大俠害死，搶走“秘籍”，并嫁禍楊夫人。師弟王虎出于仁義，決心幫助楊夫人。楊夫人的老公楊充見王虎與自己老婆接角頻，頓起疑心，暗中監(jiān)視。恰恰王虎誤入閏房撞見在洗浴中的楊夫人......被楊充當(dāng)場(chǎng)遇到，楊充急火沖天，一氣之下挾女兒憤然離開山莊，那知半路被走火入魔的敖龍擒住。一場(chǎng)郊外的血腥混戰(zhàn)，讓本不平靜的江湖再掀風(fēng)云，武林的浩劫終于爆發(fā)了.........
坐白車的女人
鄭麗媛此劇是以三位女人為中心展開的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血，打開案件中心的主人公都京一角，她比誰(shuí)都隱藏著沉重的秘密。