劇情簡介
男主跟女主的性生活總是多彩多樣，甚至某一天，男主竟然帶了自己的朋友，來窺探和女友的愛愛，這讓女主深感不適，同時，罪惡的羞恥感又讓她感受到另類的刺激，愛愛被人旁觀到底是怎樣一樣體驗呢，這部影片不容錯過....
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15點17分，啟程巴黎
斯賓塞·斯通,安東尼·薩德勒,亞歷克·斯卡拉托斯,朱迪·格雷爾,珍娜·費舍,賈里爾·懷特,托馬斯·列農,托尼·海爾,P·J·伯恩,布萊斯·吉扎爾,斯蒂芬·考特爾,羅伯特·普拉爾戈,加里·維克斯影片源自真實事件，講述2015年8月一列從阿姆斯特丹開往巴黎的高速列車上發生了恐怖襲擊事件，三位美國士兵挺身而出將歹徒制服的故事，電影將根據三位當事人的回憶錄改編。
劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes白天，他們是隱形的——豪華酒店的服務員、女招待和調酒師。到了晚上，他們就是劫車者，一群熟練的司機，在路上追蹤和搶劫富有的客戶。當他們計劃最終的搶劫時，酒店經理雇傭了一名無情的殺手，不惜一切代價阻止他們。隨著危險的臨近，諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績嗎？
狼人2025
克里斯托弗·阿波特,朱莉婭·加納,瑪蒂爾達·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德布雷克（克里斯托弗·阿波特 Christopher Abbott 飾）是一名住在舊金山的丈夫和父親。當他自己的父親失蹤并被判定死亡之后，他繼承了他位于俄勒岡州鄉下偏遠地區的童年老家。當他和他事業有成的女強人妻子夏莉特（朱莉婭·加納 Julia Garner 飾）的婚姻逐漸走向破裂，布雷克就說服夏莉特帶著他們年幼的女兒金潔（瑪蒂爾達·弗 思 Matilda Firth 飾）一起離開城市，前往他的童年老家度假。 但是當這一家人在深夜來到這座農舍時，他們突然遭到一只看不見的怪獸攻擊，為了逃離危險，他們就躲進農舍里面，并且將所有入口封住，而那只怪獸則在外面徘徊。當他們驚懼地試圖度過漫漫長夜時，布雷克卻開始出現奇怪的舉動，而且逐漸變成一種不知名的怪物，于是夏莉特就被迫必須決定：到底是屋內的恐怖更致命，還是外面的危險更可怕？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
阿特拉斯聳聳肩3
克里斯托弗·普拉哈,勞拉·里根,喬昆姆·德·阿爾梅達,艾瑞克·阿蘭·克拉默,羅伯·莫洛國家的經濟正在快速崩潰，罪犯和黑暗勢力控制了整個國家，政府已經無能為力，一個女人有了答案，她和其他人會不惜一切去找到他。他是誰？他是約翰.高爾特。本片獲得第35屆金酸莓獎提名最差翻拍、節選與續集。
血腥姐妹會
科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內,梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura智慧與美貌并存的Riley進入大學后加入了一個人人眼羨的姐妹會，成員都有著維密天使般的臉蛋和身材，可姐妹會中的成員卻相繼死去，被連環殺人犯取掉身上了一部分做成玩偶，一個想要睡遍姐妹會中所有人的帥哥Carter成為首要嫌疑人，軟件Row的秘密也隨之浮出水面，Riley的媽媽竟曾也是姐妹會的一員 她的死背后隱含著什么秘密
偷偷喜歡你電影版
施柏宇,程予希,林子閎,賴雅妍,紀卜心,曾少宗,陳如山,黃柏峰,海裕芬,錢薇真,蘇達,鄭穎,張宸呈,吳函峮蘇明儀（程予希 飾）暗戀同校的顏立堯（施柏宇 飾）很久了，沒想到分班后成為同學，顏立堯不受拘束的性格讓他經常被風紀股長蘇明儀“記名字”，記著記著，同時也在心里刻下了不可磨滅的印記，殊不知，卸下風紀的她，只是一個暗戀他許久的傻女孩罷了。當別人還在揮霍青春，年少的三人被迫提早面對人生的課題。 “其實，我早就喜歡你，只是不敢告訴你”? 故事線長達10年，懵懂的他們各自把秘密埋在心底，直到真正變成大人的那一天。