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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
害蟲
宮崎葵,蒼井優,田邊誠一,涼,伊勢谷友介少女幸子(宮崎葵飾)和老師的師生戀緋聞被傳得風風雨雨,相依為命的母親稔子(Ryo飾)則自殺未遂。打擊不斷的生活令幸子無法承受,升入中學后,她不去上學,每天閑逛打發時間。她和依靠小偷小摸賺錢的少年隆夫、精神脆弱的中年人久蔵成為了朋友。隆夫離開后,幸子和好友夏子(蒼井優飾)返回了學校?! 〔痪煤螅植铧c被母親的新歡德川強暴。謠言又起,幸子失望地離開學校。昔日的老師戀人現在發電所工作,幸子準備去他那里。然而在約定的小茶店里等了很久,他還是沒有出現?;倚牡男易痈粋€前來搭訕的男子離開茶店……
鋼鐵少女
明日花綺羅,秋山莉奈,城戸裕次,栩原樂人,古原靖久,虎牙光揮セクシー女優の明日花キララが主演するアクション。無法者の集団「クレイジードッグス」が支配する村に、人間の身體能力を超越した力を発揮する特殊な強化スーツに身を包んだ美女「アイアンガール」が現れる。アイアンガールは失った過去の記憶を探して旅しており、村の古文書には「鉄の救世主が村の危機を救う」と記されていた。アイアンガールを伝説の存在と信じた村人たちは、クレイジードッグスと戦うため立ち上がるが、その戦いの中で意外な真実が明らかになる。音楽を人気バンド「CASCADE」のMASASHIが擔當。
臨冬
瓊·拉斯皮尤爾an experimental work by the Negu Collective, all of them former students of the ESCAC in Barcelona.
家有仙妻2005
妮可·基德曼,威爾·法瑞爾,雪莉·麥克雷恩,邁克爾·凱恩,詹森·舒瓦茲曼,克里斯汀·肯諾恩斯,希瑟·伯恩斯,吉姆·特納,史蒂芬·科拜爾,大衛·艾蘭·格里爾,邁克爾·巴達魯科,卡羅爾·謝利,史蒂夫·卡瑞爾,凱蒂·芬內朗,詹姆斯·里普頓,柯南·奧布萊恩,艾米·塞德麗絲,理查德·坎德,艾德·麥克馬洪,凱特·沃什,尼克·拉奇喜劇演員杰克(威爾?法瑞爾 Will Ferrell 飾)事業開始下滑,在經紀人的建議下,杰克準備翻拍經典搞笑連續劇《神仙俏女巫》。同時,為了鞏固自己在該劇的地位,杰克必須找一名新人在他的劇集里演他的妻子,女巫薩曼紗。在面試了數百人后,迷人可愛而且還會和女巫一樣聳鼻子的伊莎貝拉(妮可?基德曼 Nicole Kidman 飾)進入了杰克的視線。在杰克鼓動了自己的三寸不爛之舌后,伊莎貝拉終于同意和他一起出演該劇。該劇試播后反響強烈,為了和伊莎貝拉長久合作下去,杰克決定假戲真做,向伊莎貝拉展開了愛情攻勢。只是,他有所不知道是,伊莎貝拉真的是一名法力高強的女巫,杰克以后的日子可不好過了。