性變態

評分：8.5 播放：06萬 更新：2026-04-25
主演： Kristi Casey David Weber Zo? 

本片改編自理查德·克拉夫特·埃賓（Richard暫無內容von暫無內容Krafft-Ebing）聲名狼籍的醫學著作《性精神病態》或譯為《性心理疾病》（Psychopathia暫無內容Sexualis）。 　　埃賓曾采用傳統的臨床精神病學方法，搜集各種性變態行為的病例，對它們加以系統的組織和分類。自1886年發表以來，直到1902年埃賓去世，該書每年都會再版。 　　《性心理疾病》的成功使埃賓本人從一個不顯眼的神經科專家，被提升為維也納大學的精神病學教授和精神病院院長，并成為當時精神病學研究的權威專家。更具有社會意義的是，該書標志著醫學對人類性生活的干預的開始，打破了基督教會在該方面的壟斷地位。本片就是從書中摘錄部分拍攝而成的，描寫了夢幻般的世紀之交的性變態行為。

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指控之后

普拉蒂巴·蘭塔,康柯納·森·沙爾瑪

Netflix即將上映的電影“無聊”不僅僅是一部驚悚片，而是對社會思維的尖銳質疑。一個被困在身份和信任之間的醫生的故事 - 在判決法庭之前，社會會聽到。準備好觀看Konkana Sen Sharma的壓倒性化身。Netflix將再次推動印度原創內容的極限。OTT巨頭宣布其即將推出的心理戲劇驚悚電影“無聊”，這將于2026年發布。在這個嚴肅而多層次的故事中，Konkana Sen Sharma和天才Ranta將扮演主角。

四重唱

瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛·萊爾,邁克爾·伯恩,羅尼·福克斯,帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里

　　故事發生在一間專門面向歌劇退休演員開放的養老院里，維爾福（比利·康諾利 Billy Connolly 飾）、雷吉（湯姆·康特奈 Tom Courtenay 飾）和茜茜（寶林·科林斯 Pauline Collins 飾）是那里的明星居民。每一年，這三個出色的演唱者都會通過他們的三重唱向社會募集資金，用以維持養老院的運作。雖然養老院的規模不大，但每一個老人都能在那里找到快樂和安寧。　　簡（瑪吉·史密斯 Maggie Smith 飾）的出現打破了眾人寧靜的生活，這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家，同時，她還是雷吉的前妻。受生活所迫，簡不得已住進了這間養老院，前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入，三重唱變成了四重唱，但排練的效果并沒有因為一個得力唱匠的加入而有所提高，麻煩和爭執接踵而至。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

刺透

克里斯托弗·阿波特,米婭·華希科沃斯卡,萊婭·柯絲達,奧利維亞·邦德,瑪麗亞·迪齊亞,馬琳·愛爾蘭,達科塔·盧斯提克,維德爾·皮爾斯

　　該片故事講述一名變態殺手（克里斯托弗·阿波特 飾）計劃在酒店招妓（米婭·華希科沃斯卡 飾），并將其謀殺。然而他計劃卻失敗了。