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街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納村“靚”了
陶慧敏,王毅凡,李藝,張明明,葉青青,朱嘉鎮(zhèn),陳鏡宇,隋抒洋,張家駿魔力,魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦警察游戲
杰克·約翰遜,小達(dá)蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達(dá)西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫(kù)恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯雙雄出擊
王輝,張永華,李博,周承赟,張凱翔,艾科熱木,亓梓桓,戚彩,宋宇欣走火交易
恩佐·科倫蒂,薩姆·賴?yán)?邁克爾·史麥利,布麗·拉爾森,基里安·墨菲,艾米·漢莫,沙爾托·科普雷,巴布·塞賽,諾亞·泰勒,杰克·萊諾,馬克·蒙迪歐,帕特里克·博金,薩拉·德,湯姆·戴維斯同類推薦
戴夫造了個(gè)迷宮
尼克·圖恩,梅拉·羅希特·庫(kù)姆巴尼,亞當(dāng)·布斯奇,詹姆斯·烏爾班尼亞克,弗蘭克·凱提,斯科特·納維,斯蒂芬妮·阿琳,克斯汀·范奈絲,斯科特·克林斯基,蒂莫西·諾德溫德,約翰·赫寧甘,瑞克·歐弗頓,卡米拉·艾爾內(nèi)斯,德魯·尼加,艾蒂安·??颂?布里特妮·多伊奇,杰西卡·格拉夫斯藝術(shù)家戴夫,他的職業(yè)生涯,從來(lái)沒(méi)有完成任何重要的作品。這次他造了一個(gè)迷宮,包含了幻想陷阱、誘殺裝置,但不知何時(shí),迷宮有了自己的生命,自行創(chuàng)造出多種機(jī)關(guān)怪物,甚至牛頭怪。朋友們?yōu)榱藸I(yíng)救戴夫,進(jìn)入折紙迷宮,大戰(zhàn)機(jī)關(guān)和怪物,一場(chǎng)撕逼大戰(zhàn)迫在眉睫……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)現(xiàn)在是2003年,國(guó)際武器核查員泰德·凱勒(馬修·吉利亞姆)在美國(guó)入侵伊始就在伊拉克工作。在調(diào)查一個(gè)未被發(fā)現(xiàn)的武器藏匿處時(shí),他發(fā)現(xiàn)了一個(gè)可疑來(lái)源的生物制劑,他很快意識(shí)到這種生物制劑已經(jīng)危及他的生命。撞倒在地,他危險(xiǎn)的軌跡與美麗的國(guó)會(huì)援助伊蓮娜·波佩斯庫(kù)(拉維尼婭·波波拉切)相撞,后者發(fā)現(xiàn)自己被自己的危險(xiǎn)包圍著。他們聯(lián)合起來(lái),被迫質(zhì)疑一切,同時(shí)努力比那些希望他們沉默的人領(lǐng)先一步。
翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫(kù)珀故事發(fā)生在第一次世界大戰(zhàn)期間,瑪麗(克拉拉·鮑 Clara Bow 飾)暗戀著英俊的杰克(查爾斯·巴德·羅杰斯 Charles 'Buddy' Rogers 飾),可是杰克的心思卻全部放在了大小姐西爾維婭(喬拜娜·勞斯頓 Jobyna Ralston 飾)身上,無(wú)奈西爾維婭亦有她的心上人,那就是富家子弟大衛(wèi)(理查德·阿倫 Richard Arlen 飾)。戰(zhàn)爭(zhēng)爆發(fā)了,大衛(wèi)和杰克投身軍隊(duì)為國(guó)家效力,在軍中,身為情敵的兩人關(guān)系漸漸緊密,之后成為了摯友。一場(chǎng)激烈的戰(zhàn)役中,大衛(wèi)遭遇了意外,悲痛的杰克決心為朋友報(bào)仇。然而,杰克并不知道的是,大衛(wèi)沒(méi)有死,他甚至偷到了一架敵機(jī)。正當(dāng)大衛(wèi)喜滋滋地駕駛著敵機(jī)返回營(yíng)地之時(shí),與為朋友報(bào)仇心切的杰克撞了個(gè)正著。
驚奇隊(duì)長(zhǎng)
布麗·拉爾森,裘德·洛,塞繆爾·杰克遜,本·門德?tīng)柹?安妮特·貝寧,麥肯娜·格瑞絲,克拉克·格雷格,嘉瑪·陳,李·佩斯,杰曼·翰蘇,拉什納·林奇,阿基拉·阿克巴,科林·福特,卓庫(kù)·莫度,肯內(nèi)特·米歇爾,羅伯特·卡辛斯基,詹姆斯·莫里森,皮特·普勞澤克,馬修·馬希爾,安東尼·莫利納利,馬修·弗林·貝羅斯,加斯頓·達(dá)爾莫,亞當(dāng)·哈特,馬克·多爾蒂,雷尼爾·魯菲諾,約翰·蓋蒂爾,斯坦·李,克里斯·埃文斯,斯嘉麗·約翰遜,馬克·魯弗洛,唐·錢德?tīng)?/span>在圍剿斯克魯人的戰(zhàn)斗中,克里人星際戰(zhàn)隊(duì)成員弗斯(布麗·拉爾森 Brie Larson 飾)不幸成為對(duì)方的俘虜。斯克魯人嘗試探究弗斯的記憶,最終發(fā)現(xiàn)連弗斯本人都不知道的一段往事,進(jìn)而也得知名為溫迪?勞森博士的女子掌握著他們急于得到的時(shí)空引擎。趁對(duì)方不備,擁有強(qiáng)大超能力的弗斯擺脫束縛,逃到了代號(hào)為C-53的地球,而這里也正是她那段失落的記憶的發(fā)生地。未過(guò)多久,神盾局探員弗瑞特工(塞繆爾·杰克遜 Samuel L. Jackson 飾)找上門來(lái),而緊隨其后的斯克魯人更是引發(fā)了地球人前所未見(jiàn)的大騷動(dòng)?! ≡谶@一過(guò)程中,弗瑞特工意識(shí)到事態(tài)的嚴(yán)重性,并且?guī)椭ニ拐J(rèn)清本來(lái)的自己。倔強(qiáng)的弗斯,終于找到了真正需要保護(hù)的東西……