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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
失蹤謎案
塔布,安努·卡波爾,馬諾杰·巴杰帕伊一對(duì)夫婦入住了一家度假酒店,幾個(gè)小時(shí)后,他們的女兒失蹤了.隨著尋找他們女兒的時(shí)間的推移,越來越多的真相與謎題出現(xiàn).....
紅衣詭村之幻·謎
姚堯,車品孝,石稚昀,謝易真,李國麟,駱應(yīng)鈞鄭家村，突然發(fā)生了一系列似怪異的事件。 眾人來到鄭家老宅，鄭浩民在了解情況后，特邀請(qǐng)?jiān)?jīng)的同事，考古學(xué)教授張信安前來一同進(jìn)行科學(xué)調(diào)查。 張信安等人來到鄭家村與鄭浩民等開展了一系列的調(diào)查工作。 張信安在觀察了鄭家老宅后，從科學(xué)依據(jù)做出判斷，鄭家老宅四面環(huán)山傍水，陰濕氣重，在地理上形同一個(gè)低洼混區(qū)，導(dǎo)致磁場混亂，各種正常人感知不到的微弱電波無法散發(fā)。 就在調(diào)查即將接近真相的時(shí)候，兩位教授遭受莫名攻擊，陷入可怕幻覺，導(dǎo)致兩人當(dāng)場昏迷。 事態(tài)進(jìn)一步惡化，破開迷霧的重任壓在了韓斌和張紫涵這一對(duì)年輕戀人身上。 韓斌在經(jīng)過一系列的詭異后終于找出緣由。
國寶2025
吉澤亮,橫濱流星,渡邊謙,高畑充希,寺島忍,田中泯,森七菜,見上愛,永瀨正敏,黑川想矢,三浦貴大本片改編自吉田為了采訪3年，穿著歌舞伎的黑衣進(jìn)入后臺(tái)的經(jīng)驗(yàn)而寫出的長篇小說，出生于任俠一門、投身于歌舞伎世界、將青春獻(xiàn)給演藝之路的喜久雄，賭上自己的生命去追求無盡的夢(mèng)想的宏偉故事：舞臺(tái)是從戰(zhàn)后到高度經(jīng)濟(jì)成長期的日本。出生于任俠家族的喜久雄，遭遇了數(shù)奇的命運(yùn)，被拽到歌舞伎演員的家中。不久后，在動(dòng)蕩的人生中，他作為歌舞伎演員的才能開花結(jié)果。
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莎姬·貝茲,湯姆·費(fèi)爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達(dá)倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個(gè)從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個(gè)供奉撒旦的邪教，每個(gè)月要?dú)⒁粋€(gè)人作為祭品，“今晚，選中了你……”
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Alexandra Lesch,Kristiana Rohder,Lara BaumA group of models find themselves trapped in a factory inhabited by a cannibalistic degenerated family.