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劇情提要
別名:暫無內容Historia暫無內容de暫無內容Eva暫無內容/暫無內容Little暫無內容Lips暫無內容這部片子可以說就是歐版的lolita吧暫無內容豬腳打完一戰回來，遇到了精靈一般可愛的小侄女暫無內容他寵愛她，天人交戰暫無內容她漸漸懂得男女之事暫無內容某一天終于和賣藝少年要初試云雨暫無內容被豬腳看到，經受戰爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內容和lolita一樣，這個年紀女孩是天使與魔鬼的混合體
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster