食人族的愛神

? 9.0 播放：25萬 2026-04-29

喬 迪阿馬托（Joe D"Amato）在1978年導演的這部18禁意大利恐怖電影，敘述了暴力性的奇風異俗，還包含真實的動物獵殺。一隊地質學家來到一處森林，他們企圖在島上興修核電廠，他們發 食人族的愛神首要演員陣容有:Melissa,Chimenti,梅麗莎,,Sirpa,Lane,瑟帕琳恩,,,Maurice,Poli,莫里斯波利 喬 middot;迪阿馬托（Joe D"Amato）在1978年導演的這部18禁意大利恐怖電影，敘述了暴力性的奇風異俗，還包含真實的動物獵殺。一隊地質學家來到一處森林，他們企圖在島上興修核電廠，他們發現了食人族土著，就在探險隊對食人族進行深化探求之際，反被土著獵獲。食人族;女性領導者，以肉體引誘他們，最終以嚴酷的拷打，并予殺戮閹割，變成食人族的豐富午飯 　　

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劇情提要

喬 迪阿馬托（Joe D"Amato）在1978年導演的這部18禁意大利恐怖電影，敘述了暴力性的奇風異俗，還包含真實的動物獵殺。一隊地質學家來到一處森林，他們企圖在島上興修核電廠，他們發 食人族的愛神首要演員陣容有:Melissa,Chimenti,梅麗莎,,Sirpa,Lane,瑟帕琳恩,,,Maurice,Poli,莫里斯波利 喬 middot;迪阿馬托（Joe D"Amato）在1978年導演的這部18禁意大利恐怖電影，敘述了暴力性的奇風異俗，還包含真實的動物獵殺。一隊地質學家來到一處森林，他們企圖在島上興修核電廠，他們發現了食人族土著，就在探險隊對食人族進行深化探求之際，反被土著獵獲。食人族;女性領導者，以肉體引誘他們，最終以嚴酷的拷打，并予殺戮閹割，變成食人族的豐富午飯 　　

幕后花絮

天啟四騎士

　　蘭斯林（丹尼斯·奎德 Dennis Quaid 飾）警官同時也是一個單身父親，因公務繁忙，他無暇照顧兩個兒子，大兒子亞歷克斯無形中時常扮演父親的角色。最近蘭斯林被一樁連續殺人案纏住，每個兇案現場都發現了至少四名嫌疑人的蹤跡，并且統一留下了“過來看”的血色留言，死者死于懸掛的狀態充滿了宗教意味，蘭斯林從人體懸掛的鐵架入手，發現這一干罪犯以殺人作為宗教儀式，并且以啟示錄中記載的“天啟四騎士”自居。第一個受害者的華裔養女克里斯汀（章子怡 飾）主動找到蘭斯林，坦承了自己與連續殺人案的關系，但是這不能阻止更多人受害，蘭斯林驚見自己最不愿意看到的事情發生了……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.