不良美少女辯護(hù)師

導(dǎo)火線2025

 倫敦一個(gè)建筑工地發(fā)現(xiàn)了一枚未爆炸的二戰(zhàn)時(shí)期炸彈，當(dāng)拆彈專家前來(lái)處理時(shí)，引發(fā)了大規(guī)模疏散，同時(shí)也為一場(chǎng)銀行搶劫提供了完美的掩護(hù)。

四面三角

皇家次子女秘密組織

　　一個(gè)現(xiàn)代王國(guó)Illyria的公主Sam，性格叛逆，是王位的第二繼承人。正當(dāng)Sam對(duì)王位的漠不關(guān)心值達(dá)到人生新高時(shí)，她驚訝地發(fā)現(xiàn)自己有超能力，而且屬于一個(gè)長(zhǎng)期以來(lái)偷偷摸摸保護(hù)全國(guó)和平的秘密組織。影片聚焦Sam的歷險(xiǎn)：她加入了這個(gè)屬于最高機(jī)密的訓(xùn)練項(xiàng)目，目的是訓(xùn)練皇室的次子女們來(lái)肩負(fù)拯救世界的任務(wù)。

我是自愿讓他殺了我

　　刑警周行跟女友陳凱欣求婚前夕，臨時(shí)接獲一起兇殺案通報(bào)，他循線趕到山區(qū)，當(dāng)場(chǎng)逮捕殺人犯李子建，發(fā)現(xiàn)死者居然是他的女友。周行強(qiáng)忍震驚與悲痛，一路追查真相，犯人貴為議長(zhǎng)獨(dú)子，在議長(zhǎng)袒護(hù)下試圖翻案，更自白對(duì)方是自願(yuàn)被殺。更讓周行意外的是，來(lái)認(rèn)女友屍體的是一群陌生家屬，她的真實(shí)身份另有其人，案情陷入膠著，女友留下的重重謎團(tuán)，讓往日深情的一切瞬間被摧毀。　　七十六號(hào)原子繼犯罪影集《追兇500 天》後，再度推出女性心理驚悚懸疑作品，由鄭人碩、蔡淑臻、薛仕凌等主演，改編自知名小說(shuō)家逢時(shí)同名原著，非典型的「幫助殺人」概念相當(dāng)吸睛，挑戰(zhàn)複雜跳接的時(shí)序劇情，翻轉(zhuǎn)犯罪線索的邏輯，燒腦程度直逼《緝魂》。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

喪尸足球

　　又是一年足球賽季，成績(jī)不甚良好的巴黎隊(duì)即將前往卡布隆吉與當(dāng)?shù)厍蜿?duì)進(jìn)行對(duì)抗。巴黎隊(duì)球星山姆·羅瑞特（奧爾本·勒努瓦 Alban Lenoir 飾）出生于卡布隆吉，他最近表現(xiàn)不太出色，因此備受媒體奚落。與此同時(shí)，眾多球迷相繼云集到球場(chǎng)，準(zhǔn)備欣賞一場(chǎng)精彩的賽事。杰諾特（Sebastien Vandenberghe 飾）飾卡布隆吉的一名球員，他似乎和山姆有著不可化解的仇恨，因此不惜借助未知藥物的幫忙。誰(shuí)想到注射藥物過(guò)后，杰諾特突然暴走，儼然變成了嗜血如命的僵尸，只是這一變故還沒(méi)有什么人察覺(jué)。　　漫長(zhǎng)的旅途過(guò)后，巴黎隊(duì)抵達(dá)駐地，山姆被當(dāng)做叛徒遭到家鄉(xiāng)人的謾罵。此時(shí)沒(méi)有人知道，即將到來(lái)的比賽中將會(huì)發(fā)生什么可怕的事件……

藍(lán)月亮2025

　　勞倫茲曾是百老匯作詞家第一把交椅，卻在與理查德拆伙后事業(yè)跌落低谷。前搭檔新作的首演之夜，他故作大方獻(xiàn)上祝福，新仇舊恨交織下，終究不歡而散；他轉(zhuǎn)向忘年好友伊麗莎白尋找慰藉，又不禁懷疑友達(dá)以上的關(guān)系是否只是自作多情。偌大派對(duì)就像如今的百老匯，早已沒(méi)他的容身之處。過(guò)了今晚，美國(guó)音樂(lè)劇的黃金年代就要展開(kāi)，他的盛世卻再也回不來(lái)，當(dāng)最后一曲〈藍(lán)月〉響起，即便成了終曲，也要忘情歌頌。