澳門豪情

★ 2.1 播放：87萬 更新：2026-04-27

家境不俗的豪，擁有一位性感的嬌妻，以致他不思進(jìn)取，終日作愛玩樂，經(jīng)其妻建議他找些生意做，豪便與老友高談開夜總會(huì)之事，於是豪就四處尋找漂亮女人，展開他的荒淫之旅，卻不料他在荒唐之時(shí)，亦被好友覬覦......豪終殺死其好友,結(jié)束荒唐淫蕩的 　　

在線播放

劇情簡(jiǎn)介

家境不俗的豪，擁有一位性感的嬌妻，以致他不思進(jìn)取，終日作愛玩樂，經(jīng)其妻建議他找些生意做，豪便與老友高談開夜總會(huì)之事，於是豪就四處尋找漂亮女人，展開他的荒淫之旅，卻不料他在荒唐之時(shí)，亦被好友覬覦......豪終殺死其好友,結(jié)束荒唐淫蕩的 　　

導(dǎo)演精選

落難女子

　　影片被描述為“對(duì)西部題材充滿愛意的重塑”。帕丁森飾演的Samuel是一位富有的拓荒者，他冒險(xiǎn)穿越邊境，為了與一生摯愛Penelope（米婭·華希科沃斯卡飾）成親。Samuel與一個(gè)酒鬼和一匹叫作“奶油糖果”的小型馬同行，然而簡(jiǎn)單的旅程卻變得危險(xiǎn)重重。

與祖國同在

 故事發(fā)生在一艘名為“托林號(hào)”的英國皇家海軍驅(qū)逐艦上，在一場(chǎng)激烈的海戰(zhàn)中，該驅(qū)逐艦擊落了多駕敵機(jī)，創(chuàng)下了赫赫戰(zhàn)功，但它也因?yàn)槠床趹?zhàn)斗的第一線而傷痕累累，最終中彈起火。在艦長(zhǎng)金洛斯（諾埃爾·考沃德 Noel Coward 飾）的要求之下，船員們放棄了托林號(hào)，塔上了救生艇，其中包括軍士長(zhǎng)沃爾特哈迪（伯納德·邁爾斯 Bernard Miles 飾）和新兵肖蒂（約翰·米爾斯 John Mills 飾）等人。一行人在海上艱難漂泊，全憑意志和對(duì)家人的思念才勉強(qiáng)幸存，最終被一艘英國軍艦救起，獲救之時(shí)，剛開始浩浩蕩蕩的240名官兵，僅剩下19人。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster