VN.035-萌琪琪Irene

評分:4.7 播放:09萬 更新:2026-04-25
主演: 未知

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儀式殺手

科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis

  一名即將退休的偵探與一名非洲研究教授一起追查一名正在執行古老黑魔法練習 Muti 的連環殺手。

奧本海默

基里安·墨菲,艾米莉·布朗特,馬特·達蒙,小羅伯特·唐尼,弗洛倫絲·皮尤,阿爾登·埃倫瑞奇,大衛·克朗姆霍茨,喬什·哈奈特,杰森·克拉克,卡西·阿弗萊克,戴恩·德哈恩,本·薩弗迪,大衛·達斯馬齊連,拉米·馬雷克,湯姆·康蒂,肯尼思·布拉納,加里·奧德曼,詹姆斯·達西,梅肯·布萊爾,杰克·奎德,迪倫·阿諾德,艾瑪·杜蒙特,杰佛遜·豪爾,喬什·祖克曼,馬修·莫迪恩,馬提亞斯·施維赫夫,亞歷克斯·沃爾夫,托尼·戈德溫,庫爾特·克勒,約翰·高恩,蒂姆·迪凱,泰德·金,古斯塔·斯卡斯加德,邁克爾·安格拉諾,丹尼·德

 當我們為權力金錢焦慮、興奮與憤怒時,卻根本想象不到“他們”在談論著怎樣更重要的事情。隨著戰爭陰云籠罩世界上空,各國緊鑼密鼓抓緊軍事競賽。為了搶占先機,美國陸軍中將萊斯利·格羅夫斯(馬特·達蒙 Matt Damon 飾)找到量子力學與核物理學領域的扛鼎人物羅伯特·奧本海默(基里安·墨菲 Cillian Murphy 飾),力薦其擔任曼哈頓計劃的首席科學家以及洛斯阿拉莫斯國家實驗室的總負責人。經過兩年爭分奪秒的研發,碩大的蘑菇云終于在荒原的上空騰起,也宣告著絞肉機一般的二戰即將落下帷幕。奧本海默有如將火種帶到人間的普羅米修斯,可是對人性的參悟和對未來的擔憂迫使他走向與政府相悖的道路。更可悲的是,凡人鐘情的物欲也將一世天才裹挾至煉獄之中,永世燃燒……

死命必達

馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun

  納特(馬里奧·毛瑞爾 飾)是個擁有靈異體質的外送員,他的工作因此變得與眾不同,他和兩位外送員好友經常接到奇怪的訂單,在深夜將詭異的物品送到毛骨悚然的地方。這種賺錢方式雖然不尋常,但大多數時候他和外送伙伴們通常能對這些恐怖經歷一笑置之。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster