花花公主
女孩發揮約為兩個階段的演員,羅賓格林斯潘和LaCie哈蒙,轉換為引線在一個浪漫的戲一個充滿活力,聰明,搞笑,和無情的愛情故事。這些婦女都配備了令人信服的理由,為什么他們彼此戀愛,根本就不是一個選項:羅賓生活與她的生活伴侶在一個明確定義的世界,充滿了后它提醒和保險政策,和LaCie最近來擁抱她的承諾恐懼癥完全。但是,當他們古怪的舞臺導演(由大教堂Deluise發揮到完美)堅持在排練,這兩個女人接連遇到一個激動人心而又脆弱的時刻,他們的化學反應是沒有地方可去,但上升。 對于各種原因,這兩個不應該談戀愛,但大家都知道這個故事是怎么回事。但我們不知道是什么新鮮的,意外的,和令人愉快的麻煩就會觸發,也不這些婦女是否確實會克服自己的障礙,使其 - 尤其是考慮到羅賓的恐怖的傷害和失望她的同居女友的單純的可能性。怕把她帶回到了恐懼充滿的時刻,導致她走出來,她的省級母親(由水貂披肩完美飾演) 。和LaCie攀附著她的獨立,她重溫她最近的尷尬難耐,恐怖秀式破碎與黛咪 - 半穩定后。 故事的展開精美,混合敘事和直接地址旁白。因為寫作,表演,方向,和編輯是如此令人難以置信的輕巧,講故事和故事展示精美作品的這種混合方式。這讓我想起高保真的混合敘述,直接地址和倒敘的無縫的方式我。 水貂披肩和Dom Deloise可能已經被盜了一部電影,羅賓格林斯潘和LaCie哈蒙沒有給出這樣的強大和有吸引力的表演。原諒還原好萊塢ESE這一分析,但羅賓 格林斯潘的熱鬧神經質的實用性是年輕伍迪 - 艾倫好,和LaCie哈蒙的熱鬧苦笑玩世不恭是年輕的布魯斯 - 威利斯性感!更重要的是,這兩個女主角也寫了電影。更重要的是比...這部電影是根據自己的真實的故事。什么是不愛! ?
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地下室居民
瑪利亞·埃沃利,Vanesa Restrepo,卡拉·雅道爾逃出食人農場
Kate Marie Davies,Barrington De La Roche,David Lenik,Rowena Bentley,Toby Wynn-Davies,Peter Cosgrove,Joe Street,Dylan Curtis,Sam Lane,Jackson Wright,Kate Llewellyn,Adam J. Morgan,Tim J. Henley,Harrison Nash,Jack Miller惡夜勒贖
費爾南多·卡約,曼努埃拉·貝列斯,阿娜·瓦格納,德里坦·比巴摩登神探
鄭則士,廖偉雄,羅烈劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes恐龍·怪鳥的傳說
渡瀬恒彥,林彰太郎,沢野火子,津島智子,牧冬吉同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
挽救計劃
瑞恩·高斯林,桑德拉·惠勒,詹姆斯·奧爾蒂斯,萊昂內爾·博伊斯,梁振邦,米拉娜·薇恩翠,普里亞·坎薩,利茲·金斯曼,馬拉基·卡比,梅麗爾·斯特里普,尤妮斯·胡特哈特,雷·波特,達米安·德·弗羅貝維爾,安妮勒·奧拉萊,米婭·索特里烏,巴斯蒂安·安東尼奧·富恩特斯,愛麗絲·布里塔因,瑪雅·伊娃·侯賽因,邁克爾·阿金綏爾,特拉維斯·杰,杰弗里·蘭布,保羅·蘭伯特,奧賴恩·李,亞倫·尼爾,米歇爾·格里尼奇,伯恩哈德·舒茨太陽正在被“吃”掉,絕望吞噬地球。?名“平凡”的中學教師格雷斯(瑞恩·?斯林 飾)背負全人類的希望,踏上“太空不歸路”。末路孤旅中,他意外遇到一位外星萌友,一個同樣身陷絕境的外星工程師,這對“宇宙搭子”成了兩個文明最后的救命稻草。他們能否在資源緊缺的情況下攻克重重科學謎題,尋回唯一的希望火種?影片改編自安迪·威爾的同名暢銷科幻小說。
神探瓦雷斯:綁票追緝令
里歐·舍曼,加斯帕·帕科農,米·庫基不敢相信!浪蕩不羈的瓦雷斯終于要結婚了,但是在婚禮上,瓦雷斯突然接到伴郎「解毒劑」的緊急來電,對方被幫派份子嚴刑拷打,需要他的救援。當他深入毒窟營救老友的同時,他新婚妻子的女兒被綁架了。瓦雷斯第一天當爸爸,就出大事了,為了營救繼女,瓦雷斯被迫參與一場神秘詭譎的性愛邪教聚會,他分秒必爭,必須搶在犯罪集團之前,拯救他所愛的人保護他的新家人。
保護者2025
米拉·喬沃維奇,馬修·莫迪恩,D·B·斯威尼,唐·哈維,邁克爾·斯塔爾-大衛,濱村洋子,特夏斯·巴特爾,伊莎貝爾·邁爾斯,布魯克林·蘇丹諾,麗迪雅·赫爾,澤維爾·埃斯特拉達,茲亞·格拉卡,Telles Alberto Rene,Lizeth Lopez,Gabriel Sloyer,Arica Himmel,Justin Hurr,Eric Weiss,Shane Williams,Nick GentaFormer war hero Nikki's peaceful life is shattered when her daughter is kidnapped. Thrust into the criminal underworld while hunted by cops and military, she must fight to rescue her child.
我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑刑警周行跟女友陳凱欣求婚前夕,臨時接獲一起兇殺案通報,他循線趕到山區,當場逮捕殺人犯李子建,發現死者居然是他的女友。周行強忍震驚與悲痛,一路追查真相,犯人貴為議長獨子,在議長袒護下試圖翻案,更自白對方是自願被殺。更讓周行意外的是,來認女友屍體的是一群陌生家屬,她的真實身份另有其人,案情陷入膠著,女友留下的重重謎團,讓往日深情的一切瞬間被摧毀。 七十六號原子繼犯罪影集《追兇500 天》後,再度推出女性心理驚悚懸疑作品,由鄭人碩、蔡淑臻、薛仕凌等主演,改編自知名小說家逢時同名原著,非典型的「幫助殺人」概念相當吸睛,挑戰複雜跳接的時序劇情,翻轉犯罪線索的邏輯,燒腦程度直逼《緝魂》。