劇情簡(jiǎn)介
講述一群穿著泳裝的島國(guó)女孩們跟幾個(gè)男人之間的群歡派對(duì)....
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人偶之家
長(zhǎng)澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風(fēng)吹淳故事主角是失去五歲女兒芽衣的鈴木佳惠（長(zhǎng)澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場(chǎng)找到一個(gè)與芽衣非常相似的可愛(ài)洋娃娃，并開(kāi)始呵護(hù)它，逐漸恢復(fù)了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關(guān)注這個(gè)洋娃娃了。漸漸地，五歲大的真衣開(kāi)始和洋娃娃玩耍，這個(gè)家庭接二連三地發(fā)生奇怪的事情。佳惠他們?cè)噲D擺脫這個(gè)洋娃娃，但無(wú)論扔掉還是供奉，這個(gè)洋娃娃卻莫名其妙地回來(lái)了！洋娃娃隱藏的秘密是什么？以及即將揭開(kāi)的震撼真相是什么——！
驅(qū)魔龍族馬小玲
黃宗澤,吳千語(yǔ),蔡潔,呂良偉,劉心悠,廖子妤,黃文慧,朱栢康,吳啟洋,黃梓樂(lè),萬(wàn)綺雯,蘇麗珊,郭柏妍驅(qū)魔龍族馬氏家族傳人馬小玲（吳千語(yǔ) 飾），肩負(fù)著除邪懲惡的家族使命。而二流偵探?jīng)r天佑（黃宗澤 飾），則憑借奇特能力屢破奇案。但實(shí)際上他一直在掩飾著不死不滅瘋狂噬血的“血族”身份，本來(lái)相安無(wú)事的日子，被一道“暗影”打破，兩人在調(diào)查一起暗影襲擊的事件中相遇，出生入死的瞬間，百年恩怨所結(jié)下的宿命之鎖，似乎已悄然解開(kāi)……
炸掉銀行經(jīng)理
路易斯·托薩爾,戈雅·托萊多,哈維爾·古鐵雷斯,埃爾薇拉·明戈斯,費(fèi)爾南多·卡約,里卡多·德巴雷羅卡洛斯在一家銀行支行當(dāng)總經(jīng)理，最近他正和妻子瑪爾塔鬧別扭。風(fēng)和日麗的一天，他送兩個(gè)孩子馬科斯和莎拉上學(xué)，卻發(fā)生了改變他人生命運(yùn)的事。嶄新的汽車(chē)上莫名其妙地出現(xiàn)一部手機(jī)，一個(gè)陌生男人打來(lái)電話，號(hào)稱卡洛斯的車(chē)?yán)锉话仓昧艘活w炸彈。而恰在此時(shí)，一個(gè)神秘的黑衣摩的男尾隨而至。這是一個(gè)惡作劇，還是真實(shí)的綁架勒索？事情的緣起何故，卡洛斯一家命運(yùn)又該如何？這部西班牙電影將為你呈現(xiàn)一百分鐘的驚心動(dòng)魄……
三十九級(jí)臺(tái)階
羅伯特·多納特,瑪?shù)铝铡た?露西·曼海姆,戈弗雷·特爾,佩吉·阿什克羅福特,約翰·勞里,海倫哈耶,懷利·沃森,格斯·麥克諾頓,查爾斯·貝內(nèi)特,馬修·博爾頓,阿爾弗雷德·希區(qū)柯克,邁爾斯·馬勒森,弗雷德里克·派珀,約翰·特恩布爾,Frank Cellier,Jerry Verno,Peggy Simpson,Ivor Barnard,Noel Birkin,Carleton Hobbs,Vida Hope,Elizabeth Inglis,James Knight,Hilda Trevelyan,S.J.音樂(lè)廳中傳來(lái)槍聲，觀眾們一片驚慌。一位外國(guó)女子（露西?曼娜海姆飾）詢問(wèn)理查德?漢內(nèi)（羅伯特?多納特飾）是否可以在他家中過(guò)夜。次日該女子在被殺之前告訴理查德必須阻止間諜組織“三十九級(jí)臺(tái)階”將國(guó)家機(jī)密偷偷送出英國(guó)。漢內(nèi)為了證明自己并不是殺人兇手無(wú)奈前往蘇格蘭高地尋找線索，在火車(chē)上他尋求一位叫做帕梅拉（瑪?shù)铝?卡羅爾飾）的金發(fā)年輕女子幫助，但她卻馬上向警察告發(fā)了他。他找到了“三十九級(jí)臺(tái)階”的領(lǐng)導(dǎo)人喬丹教授，但隨即被陷害入獄。僥幸逃脫后又由于帕梅拉的告發(fā)被兩位偽裝成便衣警察的人帶走，并且他們還把帕梅拉和他銬在了一起。于是兩人攜手逃脫了出來(lái)并取得了互相的信任，然后他們?cè)俅位氐揭魳?lè)廳，漢內(nèi)看到了上次就見(jiàn)過(guò)的表演。他向號(hào)稱可以回答任何問(wèn)題的“記憶先生”（懷特?沃森飾）提問(wèn)：“什么是三十九級(jí)臺(tái)階“，于是…… 希區(qū)柯克曾說(shuō)“記憶先生“是他最喜歡的角色之一，這個(gè)角色建立在一個(gè)名叫達(dá)塔斯的真人基礎(chǔ)上，他自己小時(shí)候在倫敦看過(guò)他的表演。
風(fēng)雪飄搖
王宇,伊日貴,其那日?qǐng)D,鋼特木爾,趙思芮,熬爾,巴音故事背景發(fā)生在抗日戰(zhàn)爭(zhēng)時(shí)期，主角郭東是一名獸醫(yī)，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個(gè)小鎮(zhèn)上，過(guò)著惶惶不可終日的生活。郭東的自暴自棄使得他與當(dāng)?shù)厝水a(chǎn)生許多矛盾。就在此時(shí)，一名蒙古族孕婦的生命危在旦夕，眾人無(wú)奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰(zhàn)士的感染下，重新明白了"英雄"的意義，完成了自我救贖。
三人世界
林子祥,鄭裕玲,關(guān)之琳,周慧敏,劉嘉玲,羅美薇,盧冠廷,金燕玲,周文健劉雅歷（林子祥 飾）是一名廣告公司高層，但感情生活并不如意——女友碧姬（關(guān)之琳 飾）與他分手了。本來(lái)就沉默寡言的雅歷更加孤寂傷痛了，生活依舊刻板平凡。 后來(lái)他在一個(gè)合唱團(tuán)里認(rèn)識(shí)了一位極有天分的女孩巫慧敏（周慧敏 飾），本來(lái)打算對(duì)她多加照顧培訓(xùn)，卻遭到慧敏母親朱麗娥（鄭裕玲 飾）的不滿，以為雅歷對(duì)自己年輕的女兒動(dòng)了歪念，兩人也因此成為了斗氣冤家。 經(jīng)多次的交往之后，朱麗娥才發(fā)現(xiàn)自己誤會(huì)了雅歷，便對(duì)他完全改觀了，有困難的時(shí)候麗娥也主動(dòng)找雅歷幫忙。麗娥本來(lái)就是個(gè)離婚婦人，遇到了同樣感情空虛的雅歷，兩人之間很快便滋長(zhǎng)了愛(ài)情。這時(shí)，雅歷的前女友碧姬卻回來(lái)要求復(fù)合……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.