大宋艷情史之綺夢(mèng)情劫

堵車

　　《堵車》是一部集愛情、動(dòng)作、奇幻、懸疑和黑色幽默于一體的都市電影，由一起堵車事件道出了販毒者羅生門（吳鎮(zhèn)宇 飾）、發(fā)條（陳志朋 飾）、一休（吳俊余 飾）、橙子（巴哈古麗 飾）等一群“堵心”人之間的命運(yùn)交織，講述了一個(gè)懸念迭起、凄美蒼涼的故事。《堵車》——由堵心而生。　　三年前，“富二代”發(fā)條、先天心臟病患者一休和制毒販毒者羅生門三個(gè)人同時(shí)都愛上了少女橙子。　　三年后，又為了同一個(gè)目標(biāo)，所有人的命運(yùn)再次交織在一起。　　“∩”型摩天大樓就是羅生門的終點(diǎn)，是天堂的大門，也是宿命的象征。在荊軻的槍口下，羅生門用綠藻酒結(jié)束了自己的生命。手機(jī)視頻中，發(fā)條生命垂危，說：如果我死了，請(qǐng)把我的心臟移植給一休。完成了橙子的愿望，也表達(dá)他對(duì)橙子的愛。

瘋狂侏羅紀(jì)

　　在6500萬年前的侏羅紀(jì)世界，三個(gè)長(zhǎng)相怪異的“恐龍寶寶”破殼而出，把霸王龍媽媽的生活攪得一團(tuán)糟。為救恐龍寶寶，恐龍媽媽落入陷阱被敵人圍攻。正在危機(jī)時(shí)刻，6500萬年后的“援軍”帶領(lǐng)一只恐龍寶寶從天而降，與搶奪恐龍蛋的帝王鱷上演了一出霸道媽媽與恐 龍寶寶的爆笑合家歡大戲.......

肖菲勒

黑色鉆石

 Follows a young woman whose idyllic life with her hedge funder boyfriend turns it into a deadly triangle of lust, obsession and murder after meeting a local cowboy handyman.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

立體聲

　　艾瑞克經(jīng)營(yíng)一家摩托車修理店，和自己的女朋友以及她的年幼女兒幸福的生活在一起，然而這種平靜的生活被一個(gè)名叫亨利的陌生人打破了，艾瑞克過去的黑暗秘密陰影開始籠罩這個(gè)家庭。我們真的可以完全告別過去嗎？我們可能已經(jīng)改變了，但是有些過去的行為卻繼續(xù)如影隨行。　　在《立體聲》中，一個(gè)男人充滿熱血、沒有絲毫膽怯的贖罪行為讓我們印象深刻。