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劇情提要
個男生無意中發現自己的女教師(洪曉蕓)被人強奸了,于是他勇敢地趕跑了那個強奸犯,而他自己也對老師由憐生愛,繼而發生了不倫之戀。兩人之間的親密,引得他的女友(張萱)的不滿,于是一場二女一男、欲海翻波的游戲開始…
暗夜精選
火拼
方中信,呂良偉,安志杰,張繼聰,陳家樂,錢嘉樂,陳國邦,張文杰,馬思惠,沈震軒我的寶貝2
梅拉達·素斯麗,蘇提拉克·素維杰拉,查盧彭·提坤朋提拉翁,Tatchaya Supatanyasatit,Fon Tanasoontorn,Krisana Panpeng不死之人
安東·迪夫倫,哈澤爾·考特,克里斯托弗·李獵殺大行動
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart Masterson怨泊
何超儀,高橋和也,白川和子,周俊偉天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關秀媚,湯鎮業,惠英紅,關海山哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse同系列推薦
北部叢林
尼克·斯塔爾,奧利維亞·王爾德,達什·米霍克思緒膨脹
Jessica Uberuaga,Michael Marinaccio,魯克·高斯,喬恩·馬克,Steve Hanks不能犯
松坂桃李,澤尻英龍華,新田真劍佑,安田顯,間宮祥太朗,真野惠里菜,蘆名星,矢田亞希子,菅谷哲也,岡崎紗繪,忍成修吾,水上劍星,水上京香,今野浩喜,堀田茜,小林稔侍震耳欲聾
檀健次,蘭西雅,王戈,王硯輝,遲蓬,潘斌龍,李菁菁,寧桓宇,周政杰妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢露天外來菌
本杰明·布拉特,克瑞絲塔·米勒,路易斯·費雷拉,瑞克·斯克路德,米卡爾·蘇查內克,艾瑞克·麥柯馬克,金大賢,Barry Flatman,Ted Whittall,Ted Atherton,安德魯·布勞爾,Roman Podhora,維奧拉·戴維斯,安娜·高爾文,Jonathan Potts,Ava Salomon,艾米莉·霍爾姆斯,Fred Keating,Denise Galik,Kurt Max Runte,Cory Dagg,胡安·卡洛斯·韋利斯,艾德里安·霍姆斯,Nicola Anderson,保幕后花絮
月球叛軍2:烙印之人
延續第一部的史詩故事,柯拉(索菲亞·波多拉 Sofia Boutella 飾)與幸存的戰士準備好豁出一切,與勇敢的碧草星居民并肩作戰,即使村落不復往日和平,仍是對抗母星失敗的人們尋得的新家園,這一切,就靠他們來守護。最終大戰前夕,這群戰士必須面對各自的過往,也揭露他們究竟為何而戰。當叛軍勢力星火燎原,王國大軍傾巢而出準備平息動亂,戰友情誼益發堅定,英雄嶄露頭角,不朽傳奇也于焉誕生。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster