蛇妖顯靈

2.6 播放：28萬 更新：2026-04-25

群山擁抱之處，靈氣浩然，蛇王苦苦修行以期成形，同類蛇妖陰氣凝重，蛇王修行讓村民供奉村女，采補(bǔ)陰陽，以壯法力。金老板五世奇人之身，凝聚無限純陽之氣，蛇妖紛紛化身成美人爭相吸取金老板之陽剛之氣。蛇妖一眾破壞安事，村民恭請白龍王出山對付蛇王，鏟除妖孽。蛇王為對抗白龍王、古師傳等人之法力，明知故犯以己之肉身與女交歡以增法力，犯下天條，蛇王為保性命躲入蛇洞前后天論壇避過白龍王等人之收服。蛇王在蛇洞修煉，得知金老板開設(shè)之酒家傷其族類無數(shù)，設(shè)置蛇宴營生獲利甚豐。蛇王借助村女珊瑚之肉身，欲向村民勸誡勿濫殺蛇類，此事為金老板等人獲悉，又再相邀白龍王出山，經(jīng)歷修行之蛇王與白龍王展開一場惡斗。 　　

播放通道

詳細(xì)簡介

群山擁抱之處，靈氣浩然，蛇王苦苦修行以期成形，同類蛇妖陰氣凝重，蛇王修行讓村民供奉村女，采補(bǔ)陰陽，以壯法力。金老板五世奇人之身，凝聚無限純陽之氣，蛇妖紛紛化身成美人爭相吸取金老板之陽剛之氣。蛇妖一眾破壞安事，村民恭請白龍王出山對付蛇王，鏟除妖孽。蛇王為對抗白龍王、古師傳等人之法力，明知故犯以己之肉身與女交歡以增法力，犯下天條，蛇王為保性命躲入蛇洞前后天論壇避過白龍王等人之收服。蛇王在蛇洞修煉，得知金老板開設(shè)之酒家傷其族類無數(shù)，設(shè)置蛇宴營生獲利甚豐。蛇王借助村女珊瑚之肉身，欲向村民勸誡勿濫殺蛇類，此事為金老板等人獲悉，又再相邀白龍王出山，經(jīng)歷修行之蛇王與白龍王展開一場惡斗。 　　

同類推薦

獵殺杰西卡·布洛克

Danica De La Rey Jones,塔梅爾·伯賈克,安東尼·奧塞耶姆,Vaughn Lucas

　　A retired special forces agent must battle a group of vengeful psychopaths and the African wilderness to get back to her daughter.

天竺藍(lán)調(diào)

布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達(dá)里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash

　　年輕貌美的美國科學(xué)家琳達(dá)（布麗·拉爾森 飾），被公司總裁葛根（唐納·蘇德蘭 飾）派往印度銷售她所培育的“9號稻米”。初次來到印度的琳達(dá)飽受文化沖擊，還好有當(dāng)?shù)啬贻p官僚威廉的協(xié)助，讓她可以在那邊安心地邊研究邊銷售。此時(shí)，她遇到一位因?yàn)槔U不出學(xué)費(fèi)而輟學(xué)的大學(xué)生羅杰（烏特卡什·安邦德卡爾 飾），兩人在研究與爭執(zhí)過程當(dāng)中陷入熱戀，羅杰也幫她發(fā)現(xiàn)被派往印度的丑陋內(nèi)幕……原來她想要幫助印度農(nóng)民的研究成果，竟不知不覺地被無良的葛根濫用，即將對農(nóng)民造成毀滅性的傷害…琳達(dá)該要如何阻止這場災(zāi)難？而她與羅杰的異國戀又將會(huì)開花結(jié)果嗎？

魔鏡咒

Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia

　　恐怖和奇怪的事件困擾著瑪雅和她家人的生活，她懷疑舅舅和舅媽是幕后黑手，因?yàn)樗麄円恢毕胍@得瑪雅家從外公那里繼承的房子和土地。但是這種貪戀吸引了一股可怕的力量，這股力量的目標(biāo)是瑪雅全家。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

翠湖

李振平,王娟,李紅梅,劉蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,張會(huì)苓,張英偉

影片講述了昆明翠湖畔的一段家庭往事。老人樹文在喪妻后想要重啟人生新的情感階段，卻與女兒們爆發(fā)沖突，在這場沖突中讓他看清自己在家庭里的“缺位”，也促使他重新承擔(dān)起家長的責(zé)任，在直面三代人，三個(gè)家庭之間深藏的遺憾與隱痛的過程中，展開了一段尋求和解的溫情旅程。