落葉樹
年事已高的老作家(小林佳樹 飾),在一個寒冷飄雪的冬天,滿懷深情地將對母親的思念和對舊日時光的追憶寫在了紙上: 在;我 (山中一希 飾)8歲那年,家道還頗為殷實,不茍言笑的父親(財津一郎 飾)親自掌管著家里的一切,;我 ;和兄姐們在母親(乙羽信子 飾)的帶領下協助父親打理家務。但即便如此,家道仍不可避免地衰落下去。為了固守祖輩留下的山川和田地,父親全力死撐,甚至犧牲了大姐的幸福(園みどり 飾)。然一切的努力都是徒勞,家道的敗落成為不可避免的事情。只是年幼無知的;我,還會因為無法得到心愛的玩具而對母親大發脾氣,全然不體恤拮據的家境和她日夜操勞且已萬分疲憊的心
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上??燔?/h3>瑪琳·黛德麗,克里夫·布洛克,黃柳霜,華納·歐蘭德,尤金·佩里特,勞倫斯·格蘭特,Louise Closser Hale,古斯塔夫·馮·賽費蒂茨,埃米爾·肖塔爾,George Blagoi,李奧納多·凱瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,馮威利,福里斯特·哈維,Claude King,James B. Leong,Miki Morita,黃自強
家族秘密2025
金惠恩,金范來,金寶侖莎拉的石油
扎克瑞·萊維,Naya Desir-Johnson,索尼夸·馬丁-格林,加瑞特·迪拉胡特,梅爾·羅德里格斯,布里吉特·瑞根,斯特里奧·薩萬特,Marco Fuller,湯姆·歐默,瑪利亞·米切爾,Ryan O'Quinn,羅伯特·古德曼,喬納森·利普尼基觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨密室逃生
泰勒·拉塞爾,洛根·米勒,黛博拉·安沃爾,泰勒·萊伯恩,杰·埃利斯,尼克·多達尼,杰西卡·薩頓,約里克·范·韋杰寧根,杰米-李·蒙尼,亞當·羅比特爾,韋爾·廷德爾,肯尼思·霍,科尼利厄斯·吉尼,保羅·漢普賽爾,佩泰·塞彭克,丹·格倫伯格,吉諾·李暴風雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi Vernov同類精選
鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯偉大的覺醒
John Paul Sneed,喬納森·布萊爾,Josh Bates,Joe Dignoti,Stephen Foster Harris再會亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen亭亭鳳凰臺
張秋歌,陳友旺,董濤,王瀚邦,周顯欣,梁琛,王曦瑤定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson影視排行
開棺2025
陳可如,光俊一對夫妻在他們的土地里挖掘出一座古墓后,圍繞著一條被詛咒的項鏈和一個充滿復仇之心的鬼魂,發生了一連串恐怖事件……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
臨時家族
張雙利,盛朗熙,李洛伊一個陷入瓶頸期的女演員,一個北京胡同孤僻老炮。一個姥姥帶大的熊孩子,一個失敗中年男人。這分別來自北漂,留守,離異,孤寡的四個人因為一場騙局被迫組成臨時的完整家庭。自此上演一段雞飛狗跳、笑淚交織的人間悲喜劇。他們在理想與現實中困頓,在希望與孤寂里掙扎。在這臨時的親情里回望各自真正的血緣。而在歡聲笑語的身后,又有多少不為人知的傷心往事..
對不起,我們錯過了你
克里斯·希欽,黛比·哈尼伍德,瑞斯·斯通,凱蒂·普洛克特,查理·里士滿,史蒂芬·克雷格,哈瑞特·構斯特,米奇·麥格雷戈,羅斯·布魯斯特,朱利安·艾恩,希拉·鄧克利,馬克西·彼得斯,克里斯托弗·約翰·斯萊特,希瑟·伍德,阿爾伯特·鄧巴,納塔利婭·斯通班克斯,喬丹·科拉德,戴夫·特納故事發生在英格蘭北部的紐卡斯爾,因為遭遇了次貸危機,瑞奇(克里斯·希欽 Kris Hitchen 飾)不僅丟掉了工作,還背負上了巨額的債務。為了維持生計,瑞奇貸款買了一輛小貨車,準備靠送貨來開啟事業的第二春,哪知道他這一沒有經過思考的舉動給整個家庭都帶來了無法挽回的傷害 ?! ∪鹌娴钠拮影龋毂取す嵛榈?Debbie Honeywood 飾)是一名家政工,專門為殘疾人和老人服務,如今,她不得不依靠公交車往返于不同的雇主家中,這令她感到非常的疲憊。為了償還貨車的貸款,瑞奇不得不將更多的時間花費在工作上,這令他們的大兒子塞布(瑞斯·斯通 Rhys Stone 飾)感到備受冷落。