修道院的故事 Interno di un convento (1978)

? 2.6 播放:30萬 2026-04-23

為了保持家族的榮耀,貴族們將自己的女兒送入修道院,以修身養(yǎng)性。這些修女們都出身于佛羅倫薩最富有的家庭,她們心懷對外界的渴望,卻被投入了修道院這個牢籠之中。她們強(qiáng)烈反對父母的不公平對待,只能在愛情中尋求安慰。因此,修女們設(shè)法滿足自己的欲望。 年老的修女院長試圖阻止修女們沉溺于欲望之中,但是禁令無法起到實(shí)質(zhì)性的作用,因?yàn)樾夼畟兯较吕锎蠖喽加凶约旱那槿恕T洪L會在修女們不在房間的時候進(jìn)行搜查,一旦發(fā)現(xiàn)與上帝不忠的跡象,就會對她們進(jìn)行懲罰。大部分修女都很年輕,對修道院的生活感到厭倦,日常生活單調(diào)無味。因此,禁欲和清規(guī)戒律引發(fā)了她們內(nèi)心的仇恨,最終導(dǎo)致了悲劇的發(fā)生。

在線觀看

? 播放 修道院的故事 Interno di un convento (1978)

劇情提要

為了保持家族的榮耀,貴族們將自己的女兒送入修道院,以修身養(yǎng)性。這些修女們都出身于佛羅倫薩最富有的家庭,她們心懷對外界的渴望,卻被投入了修道院這個牢籠之中。她們強(qiáng)烈反對父母的不公平對待,只能在愛情中尋求安慰。因此,修女們設(shè)法滿足自己的欲望。 年老的修女院長試圖阻止修女們沉溺于欲望之中,但是禁令無法起到實(shí)質(zhì)性的作用,因?yàn)樾夼畟兯较吕锎蠖喽加凶约旱那槿恕T洪L會在修女們不在房間的時候進(jìn)行搜查,一旦發(fā)現(xiàn)與上帝不忠的跡象,就會對她們進(jìn)行懲罰。大部分修女都很年輕,對修道院的生活感到厭倦,日常生活單調(diào)無味。因此,禁欲和清規(guī)戒律引發(fā)了她們內(nèi)心的仇恨,最終導(dǎo)致了悲劇的發(fā)生。

幕后花絮

幸福2024

影片改編自《下妻物語》等經(jīng)典作品的原作---嶽本稔明的同名小說。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster