劇情簡介
1位空姐丈夫有出軌的嫌疑,這時候碰巧自己曾經(jīng)的追求者又出現(xiàn),天天陪伴她,而她的丈夫卻總是推脫,原來果然是在外面有了別的女人,空姐在追求者的層層突破之下,也不禁偷食禁果,本想斷了這段不倫的性關(guān)系,她卻又發(fā)現(xiàn)了有女人給丈夫發(fā)來的親昵語音消息,空姐一氣之下,決定離婚,并打算跟著追求者去過上沒羞沒臊的生活..
為你推薦
死亡回放
海莉·畢曉普,阿默·查達·帕特爾,Maya Graham,Malik Ibheis,扎基·喬吉,Teddy Linard,杰瑪·摩爾,斯克魯比斯·皮普在遭遇一場致命的入室犯罪時,這名瑜伽老師的一生在眼前閃現(xiàn),她因此拼命穿越回過去,拯救深愛的男子。
金發(fā)
巖田剛典,白鳥玉季,門脅麥,山田真步,田村健太郎,內(nèi)田慈本作の主人公は、大人になりきれない30歳の公立中學校教師?市川。彼が擔任を受け持つクラスの生徒數(shù)十人が校則への抗議として髪を金色に染めて登校し、學校中が大騒ぎになるさまが描かれる。
幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.
人偶之家
長澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風吹淳故事主角是失去五歲女兒芽衣的鈴木佳惠(長澤雅美)和丈夫忠彥(瀨戶康史)。沉浸在悲傷中的佳惠,在古董市場找到一個與芽衣非常相似的可愛洋娃娃,并開始呵護它,逐漸恢復了活力。但是,佳惠和忠彥有了新的女兒真衣之后,兩人就不再關(guān)注這個洋娃娃了。漸漸地,五歲大的真衣開始和洋娃娃玩耍,這個家庭接二連三地發(fā)生奇怪的事情。佳惠他們試圖擺脫這個洋娃娃,但無論扔掉還是供奉,這個洋娃娃卻莫名其妙地回來了!洋娃娃隱藏的秘密是什么?以及即將揭開的震撼真相是什么——!
壯志千秋
理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾故事發(fā)生在美國西部大開發(fā)時期,燕西(理查德·迪克斯 Richard Dix 飾)帶著妻子莎布拉(艾琳·鄧恩 Irene Dunne 飾)千里昭昭來到了廣袤而又荒蕪的俄克納馬拉,心里懷揣著遠大的理想,希望能夠在這里做出一番建樹。俄克納馬拉的生活環(huán)境十分艱苦和險峻,然而,夫妻兩人同心協(xié)力,慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過程中,在當?shù)厣畹哪翀鲋鱾兏械剿麄兊睦媸艿搅饲址福麄兂3已辔鞯穆闊瑓s又被燕西用智慧巧妙的化解。燕西十分同情在當?shù)厣畹挠〉诎餐林c此同時,嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨,隨著時間的推移,雙方的矛盾漸漸尖銳起來。
字母殺手
艾麗莎·杜什庫,加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德紐約,一名女童在登上一輛汽車后遇害身亡,女警梅根(艾麗莎·杜什庫 Eliza Dushku 飾)調(diào)查此案,她敏銳的意識到被害女童的姓與名以及案發(fā)地三者的首字母相同,但除此之外毫無線索,梅根為查案用盡辦法,然而卻一無所獲,反而梅根本人的精神壓力日漸累積,她開始看到被害女童的幻影,終于精力不支甚至選擇自殺,最后不得不接受精神治療。兩年后,再次有符合首字母規(guī)律的女童被害案件發(fā)生,此時的梅根不顧上司反對,再次介入調(diào)查,她和搭檔在排查多位嫌疑人的同時,這位針對女童的“首字母殺手”作案愈發(fā)頻繁。梅根究竟能否拼貼出兇手的真相? 本片根據(jù)真實案件改編。
公寓2024
斯文·索奇塔,細田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.