竊情謀欲

★ 9.5 播放:12萬 更新:2026-04-27

布魯斯是一家電話公司接線員,偶爾的一次工作中竊聽到一對姐妹相互策劃著殺死對方的計劃,正因為此,男豬腳同時也被卷入到這場愛恨糾葛的故事當中,上演一出懸疑、情迷、美艷大戲   

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劇情簡介

布魯斯是一家電話公司接線員,偶爾的一次工作中竊聽到一對姐妹相互策劃著殺死對方的計劃,正因為此,男豬腳同時也被卷入到這場愛恨糾葛的故事當中,上演一出懸疑、情迷、美艷大戲   

導演精選

克羅克特先生

  1993 年,發生了可怕的事件:一個神秘的兒童節目主持人克羅克特先生神奇地從電視機中出現,綁架了年幼的孩子殺害了其父母。而在克羅克特先生綁架了女主的兒子之后,女主開始了危險的追尋之旅,她要找到這個惡魔,救出她的兒子。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

索命哨

 一群學生發現了一個阿茲特克“索命哨”,不信邪的他們招來了自己的死亡……