童貞放浪記

? 8.5 播放：81萬 2026-04-24

;基于對暢銷書作家，小谷野淳和人類戲劇描繪了滑稽和痛苦處女情結的男人愛30歲的自傳體小說。東京大學的大學講師金井淳長大，有一個復雜的，在30歲的童貞。有一天，他將回歸初中北島萌畢業的道路上。淳你開始，而你留在觸摸感受愛萌，雖然終于從處女決定畢業.......個人主義的演員山本博，如;現實主義的客棧;是，喜劇愛情窮人的悲哀和天真的真實。 　　

在線觀看

? 播放 童貞放浪記

劇情提要

;基于對暢銷書作家，小谷野淳和人類戲劇描繪了滑稽和痛苦處女情結的男人愛30歲的自傳體小說。東京大學的大學講師金井淳長大，有一個復雜的，在30歲的童貞。有一天，他將回歸初中北島萌畢業的道路上。淳你開始，而你留在觸摸感受愛萌，雖然終于從處女決定畢業.......個人主義的演員山本博，如;現實主義的客棧;是，喜劇愛情窮人的悲哀和天真的真實。 　　

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

拍得不錯

　　由五個單元故事組成的GOOD TAKE，是香港電影新一代導演的創新作品，包括導演曾國祥《水泥》，講述警員9413（周柏豪）前往報案地點查案，最後只留下電話鈴聲卻不見其人，令人毛骨悚然；導演黃智亨的《囍宴》，一個小孩跟著跟爸爸（張兆輝飾）一起前赴媽媽新婚囍宴的故事，童真與成年人的無奈都盡在心頭；導演黃進的《Good Take》，透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事；導演楊龍澄的《不一定》，以型格對比色彩重構暴力血腥鏡頭；導演黃精甫的《嚇鬼》，Charlene（蔡卓妍飾）挑戰鬼屋一夜遊，遇上中國殭屍、長髮貞子和辮子姑娘，過程又驚又笑！五個故事各自有著不同風格及不同戲味！