吉米與朱迪

　　在未來，地球上所有的化石能源都被消耗殆盡，人類全面進入了太陽能時代。能源公司開始全面的開發和控制太陽，人類社會逐漸向完全依賴太陽能Ⅱ型文明邁進。　　但在一次人類科學無法探明的天體活動中，太陽突然消失了。整個世界陷入了黑暗的無政府狀態，大面積搶奪生存資源的惡性事件在城市不斷發生，富人乘坐宇宙飛船逃離到其他星球，普通人只能留在地球享受世界末日。社恐障礙的天文學自由撰稿人孫煬與素未謀面的廢柴鄰居陳暮被迫結伴共同踏上末日逃亡之旅，前往傳說中人類最后的庇護之所——第四區。一路上他們與形形色色的人匆匆相遇，見到了最殘酷的人性與最溫情的告別。在無數次的死里逃生之后，兩顆寂寞的心開始慢慢靠近，并在殘酷的災難面前逐漸發現了生命的意義……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

一奶同胞的兄弟洪達和洪宇同屬于卡尼亞軍方的秘密獵毒小隊，在執行東南亞邊境掃毒任務時，被狡猾的大毒梟貢泰偷襲，即將成為父親的洪達為掩護弟弟洪宇犧牲，洪宇背負巨大的創痛回到家中，無法面對一對孤兒寡母，加盟新組建的獨狼小隊，重返邊境為哥哥報仇。

樹葉已經開始變了，但喬納森·魯斯特教授對即將到來的學期仍然準備不足。本周末，他正在為考古系的野外工作課程尋找合適的地點。在同行學者和雇工的幫助下，該團隊在拂曉時分出發。這次旅行為喬納森提供了一個難得的機會，讓他親自動手，成功可能意味著出版，也可能意味著終身教職。當一名助教神秘失蹤時，探險隊很快就脫軌了。很快，這群人發現自己處于現實和來世的交匯處，陷入了令人難忘的瘋狂之中。